{"title":"Stirring the Pot: Antoine Baumé, Josiah Wedgwood, Pierre-Louis Guinand, and the Development of Optical Glass.","authors":"Mark I Grossman","doi":"10.1080/00026980.2024.2419312","DOIUrl":null,"url":null,"abstract":"<p><p>The development of defect-free flint glass for use in telescopes and navigational instruments was a key technological challenge facing European chemists, natural philosophers, and artisans that emerged in the 1750s. In 1805, Pierre-Louis Guinand, a Swiss artisan, invented a fireclay stirrer used to stir molten flint glass to create a homogenous mixture relatively free of defects. In this paper, I show it was not Guinand, but French chemist Antoine Baumé, who first came up with the idea of using a fireclay stirrer. More important, both Guinand and another early optical glass researcher, Josiah Wedgwood, knew of and were influenced by Baumé's work. Baumé's optical glass contributions have been forgotten over the years for several reasons. First, he never promoted his idea of a fireclay stirrer due to the limited support and likelihood of failure for such an artisanal-focused project within the <i>Académie</i>, which stressed theory over practice with regards to glassmaking. Second, glassmakers were hesitant to reveal their trade secrets and sources. And third, until fairly recently, Baumé's unrelenting support of the phlogiston theory led to his relegation as a minor figure in the history of chemistry, and his optical glass ideas fell off the radar of subsequent historians.</p>","PeriodicalId":50963,"journal":{"name":"Ambix","volume":" ","pages":"432-456"},"PeriodicalIF":0.3000,"publicationDate":"2024-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ambix","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/00026980.2024.2419312","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2024/11/28 0:00:00","PubModel":"Epub","JCR":"Q3","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
引用次数: 0
Abstract
The development of defect-free flint glass for use in telescopes and navigational instruments was a key technological challenge facing European chemists, natural philosophers, and artisans that emerged in the 1750s. In 1805, Pierre-Louis Guinand, a Swiss artisan, invented a fireclay stirrer used to stir molten flint glass to create a homogenous mixture relatively free of defects. In this paper, I show it was not Guinand, but French chemist Antoine Baumé, who first came up with the idea of using a fireclay stirrer. More important, both Guinand and another early optical glass researcher, Josiah Wedgwood, knew of and were influenced by Baumé's work. Baumé's optical glass contributions have been forgotten over the years for several reasons. First, he never promoted his idea of a fireclay stirrer due to the limited support and likelihood of failure for such an artisanal-focused project within the Académie, which stressed theory over practice with regards to glassmaking. Second, glassmakers were hesitant to reveal their trade secrets and sources. And third, until fairly recently, Baumé's unrelenting support of the phlogiston theory led to his relegation as a minor figure in the history of chemistry, and his optical glass ideas fell off the radar of subsequent historians.
期刊介绍:
Ambix is an internationally recognised, peer-reviewed quarterly journal devoted to publishing high-quality, original research and book reviews in the intellectual, social and cultural history of alchemy and chemistry. It publishes studies, discussions, and primary sources relevant to the historical experience of all areas related to alchemy and chemistry covering all periods (ancient to modern) and geographical regions. Ambix publishes individual papers, focused thematic sections and larger special issues (either single or double and usually guest-edited). Topics covered by Ambix include, but are not limited to, interactions between alchemy and chemistry and other disciplines; chemical medicine and pharmacy; molecular sciences; practices allied to material, instrumental, institutional and visual cultures; environmental chemistry; the chemical industry; the appearance of alchemy and chemistry within popular culture; biographical and historiographical studies; and the study of issues related to gender, race, and colonial experience within the context of chemistry.