Exhibiting slavery in Australia: Personal narratives and legacies

IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Paul Longley Arthur, Isabel Smith
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引用次数: 0

Abstract

The history of slavery has often been located on the same continuum as that of incarceration. This article explores the development of an exhibition representing the legacies of slavery in Australia, analysing Australian and international exhibitions alongside theories of museology, historiography and memory. It begins by considering the growth of slavery memory since the latter twentieth century, and Australia's own slavery heritage. The second half of the article focuses on curatorial directions and decisions taken in the exhibition, which our research team is currently developing in partnership with the Australian National Maritime Museum as part of an Australian Research Council project. Much of the project's research to date has been biographical, investigating the lives of individual slavers and colonists to explore colonial and racial frameworks still underpinning contemporary Australia. For the exhibition, we are investigating ways of expanding the scope to represent the lives and experiences of enslaved individuals. We are also exploring the challenges of retracing past lives, the potential limits of empathy, and the politics of ownership when telling stories about the past. This includes considering community participation, the biases and silences of the archives, and the use of art in representing the past.

澳大利亚奴隶制展览:个人叙事和遗产
奴隶制的历史往往与监禁的历史处于同一连续统一体中。本文探讨了代表澳大利亚奴隶制遗产的展览的发展,结合博物馆学、历史学和记忆理论分析了澳大利亚和国际展览。文章首先探讨了自二十世纪后半期以来奴隶制记忆的发展以及澳大利亚自身的奴隶制遗产。文章的后半部分侧重于展览的策展方向和决策,作为澳大利亚研究理事会项目的一部分,我们的研究团队目前正在与澳大利亚国家海事博物馆合作开发该展览。该项目迄今为止的大部分研究都是传记性的,通过调查奴隶主和殖民者的个人生活来探索仍然支撑着当代澳大利亚的殖民和种族框架。对于此次展览,我们正在研究如何扩大展览范围,以展现被奴役者的生活和经历。我们还在探索追溯过去生活所面临的挑战、移情的潜在限制以及讲述过去故事时的所有权政治。这包括考虑社区参与、档案的偏见和沉默,以及使用艺术来表现过去。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Curator: The Museum Journal
Curator: The Museum Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.70
自引率
10.00%
发文量
63
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