Huw Cheston, Joshua L Schlichting, Ian Cross, Peter M C Harrison
{"title":"Rhythmic qualities of jazz improvisation predict performer identity and style in source-separated audio recordings.","authors":"Huw Cheston, Joshua L Schlichting, Ian Cross, Peter M C Harrison","doi":"10.1098/rsos.240920","DOIUrl":null,"url":null,"abstract":"<p><p>Great musicians have a unique style and, with training, humans can learn to distinguish between these styles. What differences between performers enable us to make such judgements? We investigate this question by building a machine learning model that predicts performer identity from data extracted automatically from an audio recording. Such a model could be trained on all kinds of musical features, but here we focus specifically on rhythm, which (unlike harmony, melody and timbre) is relevant for any musical instrument. We demonstrate that a supervised learning model trained solely on rhythmic features extracted from 300 recordings of 10 jazz pianists correctly identified the performer in 59% of cases, six times better than chance. The most important features related to a performer's 'feel' (ensemble synchronization) and 'complexity' (information density). Further analysis revealed two clusters of performers, with those in the same cluster sharing similar rhythmic traits, and that the rhythmic style of each musician changed relatively little over the duration of their career. Our findings highlight the possibility that artificial intelligence can perform performer identification tasks normally reserved for experts. Links to each recording and the corresponding predictions are available on an interactive map to support future work in stylometry.</p>","PeriodicalId":21525,"journal":{"name":"Royal Society Open Science","volume":"11 11","pages":"240920"},"PeriodicalIF":2.9000,"publicationDate":"2024-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC11557239/pdf/","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Royal Society Open Science","FirstCategoryId":"103","ListUrlMain":"https://doi.org/10.1098/rsos.240920","RegionNum":3,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2024/11/1 0:00:00","PubModel":"eCollection","JCR":"Q1","JCRName":"MULTIDISCIPLINARY SCIENCES","Score":null,"Total":0}
引用次数: 0
Abstract
Great musicians have a unique style and, with training, humans can learn to distinguish between these styles. What differences between performers enable us to make such judgements? We investigate this question by building a machine learning model that predicts performer identity from data extracted automatically from an audio recording. Such a model could be trained on all kinds of musical features, but here we focus specifically on rhythm, which (unlike harmony, melody and timbre) is relevant for any musical instrument. We demonstrate that a supervised learning model trained solely on rhythmic features extracted from 300 recordings of 10 jazz pianists correctly identified the performer in 59% of cases, six times better than chance. The most important features related to a performer's 'feel' (ensemble synchronization) and 'complexity' (information density). Further analysis revealed two clusters of performers, with those in the same cluster sharing similar rhythmic traits, and that the rhythmic style of each musician changed relatively little over the duration of their career. Our findings highlight the possibility that artificial intelligence can perform performer identification tasks normally reserved for experts. Links to each recording and the corresponding predictions are available on an interactive map to support future work in stylometry.
期刊介绍:
Royal Society Open Science is a new open journal publishing high-quality original research across the entire range of science on the basis of objective peer-review.
The journal covers the entire range of science and mathematics and will allow the Society to publish all the high-quality work it receives without the usual restrictions on scope, length or impact.