Hip Range of Motion and Strength in Young Pre-Professionals Ballet Dancers Versus Non-Dancers.

IF 1.1 Q3 SPORT SCIENCES
Anna Eleftheraki, Guillermo R Oviedo, Núria Massó-Ortigosa
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引用次数: 0

Abstract

Introduction: Lower-extremity external rotation, commonly known as turnout, is a fundamental skill in dance. Limited data exist regarding joint range of motion and strength in pre-professional young dancers and non-dancers. This study aimed to evaluate the differences in hip range of motion and hip strength between pre-professional ballet dancers and non-dancers. Additionally, the study assessed the variations between the left and right sides within each group. Methods: This observational study assessed 60 pre-professional ballet dancers and 31 non-dancers with an average age of 11.91 ± 1.49. Evaluation included passive hip rotation, tibial torsion, total passive turnout measured with digital goniometers, and total active turnout (both static and dynamic) through standing on paper and rotational discs. Hip rotation strength was measured using a force sensor device. Statistical analyses encompassed student t-tests, Pearson's correlations, and ANCOVA with age and body weight as covariates, applying the Bonferroni correction for multiple comparisons. Results: Ballet dancers exhibited greater passive hip external rotation and lower passive hip internal rotation compared to non-dancers. They also demonstrated superior total active turnout (static and dynamic). After adjusting for age and weight, dancers demonstrated significantly higher hip external rotation strength than non-dancers. Hip internal rotation strength did not differ significantly between the groups. Ballet dancers displayed inherent asymmetry, with the left side showing greater tibial torsion and standing active turnout, while the right side exhibited greater hip external rotation during dynamic active turnout. Non-dancers did not show significant side differences. Conclusions: Young pre-professional ballet dancers exhibited significant hip rotation differences compared to non-dancers, including notable right-left asymmetry. These findings should be considered when planning training, aiming to optimize musculoskeletal attributes and promote balanced hip rotation. Recognizing these asymmetries and addressing muscular imbalances is vital for injury prevention and performance enhancement.

年轻的芭蕾舞预科生与非芭蕾舞者的髋关节活动范围和力量。
简介下肢外旋,俗称转体,是舞蹈中的一项基本技能。有关职业前青年舞蹈演员和非舞蹈演员关节活动范围和力量的数据有限。本研究旨在评估职业芭蕾舞演员和非职业芭蕾舞演员在髋关节活动范围和髋关节力量方面的差异。此外,研究还评估了每个组别中左右两侧的差异。研究方法这项观察性研究评估了 60 名职业芭蕾舞前舞蹈演员和 31 名非舞蹈演员,他们的平均年龄为 11.91±1.49 岁。评估内容包括被动髋关节旋转、胫骨扭转、使用数字动态关节角度计测量的被动总转体量,以及通过站在纸上和旋转圆盘测量的主动总转体量(包括静态和动态)。髋关节旋转力量是通过力传感器装置测量的。统计分析包括学生 t 检验、Pearson 相关性以及以年龄和体重为协变量的方差分析,并采用 Bonferroni 校正进行多重比较。结果与非芭蕾舞者相比,芭蕾舞者表现出更大的被动髋关节外旋和更小的被动髋关节内旋。他们还表现出更出色的总主动翻转(静态和动态)。在对年龄和体重进行调整后,舞蹈演员的髋关节外旋力量明显高于非舞蹈演员。两组之间的髋关节内旋力量差异不大。芭蕾舞者表现出固有的不对称性,左侧表现出更大的胫骨扭转和站立主动翻转,而右侧在动态主动翻转时表现出更大的髋关节外旋。非芭蕾舞者的两侧差异不明显。结论与非舞蹈演员相比,年轻的预科芭蕾舞演员表现出明显的髋关节旋转差异,包括明显的左右不对称。在计划训练时应考虑这些发现,以优化肌肉骨骼属性并促进平衡的髋关节旋转。认识到这些不对称现象并解决肌肉失衡问题对于预防受伤和提高成绩至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.80
自引率
11.10%
发文量
33
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