The parable of the prodigal son in Maria Chapdelaine

IF 0.1 4区 文学 0 LITERATURE, ROMANCE
Sudarsan Rangarajan
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引用次数: 0

Abstract

Abstract:

Religion plays a significant role in Louis Hémon's Maria Chapdelaine. This article scrutinizes the Parable of the Prodigal Son as an underlying feature of the novel that governs the lives of Maria's three suitors: François Paradis, Lorenzo Surprenant and Eutrope Gagnon. Focusing on the motifs of departure from and staying home, the essay will show that François, Maria's preferred suitor, and Lorenzo, her second choice, are variants of the Prodigal. While the Prodigal in the Biblical text returns home and seeks redemption, in Maria François dies and Lorenzo vows not to return to settle in Quebec. The message of the voices Maria hears is essentially the Parable. Maria, then, rejects the prodigal life outside Quebec and decides to marry Eutrope who resembles the elder son in the Parable. With its emphasis on staying in the province, the novel captures the pulse of the Quebec society in the early twentieth century.

玛丽亚-夏普德兰的浪子寓言
摘要:宗教在路易-埃蒙的《玛丽亚-夏普德兰》中扮演着重要角色。本文仔细研究了《浪子的寓言》,它是小说的一个基本特征,支配着玛丽亚的三个追求者的生活:弗朗索瓦-帕拉迪斯(François Paradis)、洛伦佐-苏普雷南(Lorenzo Surprenant)和尤特洛普-加农(Eutrope Gagnon)。这篇文章将以 "离家出走 "和 "留在家中 "为主题,说明玛丽亚的首选追求者弗朗索瓦和她的第二选择洛伦佐都是浪子的变种。圣经》中的浪子回家寻求救赎,而在《玛丽亚》中,弗朗索瓦死了,洛伦佐发誓不再回到魁北克定居。玛丽亚听到的声音所传达的信息本质上就是寓言。因此,玛丽亚拒绝了魁北克以外的浪子生活,决定嫁给与寓言中的大儿子相似的尤特洛普。小说强调留在魁北克省,抓住了二十世纪初魁北克社会的脉搏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
ROMANCE NOTES
ROMANCE NOTES LITERATURE, ROMANCE-
CiteScore
0.10
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0.00%
发文量
16
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