In the Swamp: Abolition. Imagination. Play.

IF 0.4 4区历史学 Q1 HISTORY

SOUTHERN CULTURES Pub Date : 2024-08-16 DOI:10.1353/scu.2024.a934717

Kai Lumumba Barrow, Lydia Pelot-Hobbs, Alexis Pauline Gumbs

引用次数: 0

Abstract

Abstract:

In this conversation, Black radical feminist artist kai lumumba barrow and abolitionist geographer Lydia Pelot-Hobbs discuss the praxis of Black geographies, abolitionist play, and radical imagination in barrow's multifaceted artistic project [b]reach. Together they dialogue about the radical abundance of Blackness; the role of play and performance in abolitionist world-making; and the contradictions and discomfort of freedom projects past, present, and future.

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在沼泽中废奴。想象。游戏。

摘要:在这次对话中，黑人激进女权主义艺术家凯-卢蒙巴-巴罗（Kai Lumumba Barrow）和废奴主义地理学家莉迪亚-佩洛特-霍布斯（Lydia Pelot-Hobbs）讨论了巴罗的多元艺术项目[b]reach中的黑人地理学实践、废奴主义游戏和激进想象力。他们共同探讨了黑人的激进丰富性、游戏和表演在废奴主义世界创造中的作用，以及过去、现在和未来自由项目的矛盾和不适。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

SOUTHERN CULTURES HISTORY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： In the foreword to the first issue of the The Southern Literary Journal, published in November 1968, founding editors Louis D. Rubin, Jr. and C. Hugh Holman outlined the journal"s objectives: "To study the significant body of southern writing, to try to understand its relationship to the South, to attempt through it to understand an interesting and often vexing region of the American Union, and to do this, as far as possible, with good humor, critical tact, and objectivity--these are the perhaps impossible goals to which The Southern Literary Journal is committed." Since then The Southern Literary Journal has published hundreds of essays by scholars of southern literature examining the works of southern writers and the ongoing development of southern culture.