The creator economy: An introduction and a call for scholarly research

IF 5.9 2区 管理学 Q1 BUSINESS
Renana Peres , Martin Schreier , David A. Schweidel , Alina Sorescu
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引用次数: 0

Abstract

Bloggers, streamers, artists, celebrities, musicians and service providers are just a few examples of creators who aim to monetize their talent by generating and posting digital content. Aided by technological platforms and AI tools, they form a complex and dynamic ecosystem of economic activity, estimated to be worth over $100 billion dollars, and growing rapidly. In this editorial we explore the creator economy from a marketing perspective, addressing questions such as: How can creators optimize their content, establish their brand, build their content composition, and expand their audience? How do platforms create the right mix of creators and curate their content? What challenges and opportunities are presented for traditional firms?

We define the basic terminology and identify key stakeholders. We propose research questions related to creators, consumers, firms, and platforms, and discuss the implications for the marketing function within organization. A key insight of this editorial is that although content creators may appear to be a diverse group of individuals operating independently, their joint activity creates emergent patterns that can be monitored, monetized and managed strategically. To achieve this, research must develop suitable metrics and methodologies while adapting relevant marketing constructs.

This editorial is accompanied by four research notes written by marketing scholars, who all learned first-hand from major players in the creator economy. Bleier et al. (2024) examine the role of social media platforms in enabling the creator economy. Hofstetter and Gollnhofer (2024) zoom into one of the most important dilemmas faced by creators on social media: balancing authenticity with monetization. Edeling and Wies (2024) also touch upon monetization in their focus on “creatrepreneurs,” entrepreneurs in the creator economy, and on the ecosystem that enables their activities. And Prandelli et al. (2024) discuss how luxury brands are leveraging the creator economy.

创造者经济:导言和学术研究呼吁
博客、流媒体、艺术家、名人、音乐家和服务提供商只是创作者的几个例子,他们的目的是通过生成和发布数字内容来实现其才能的货币化。在技术平台和人工智能工具的帮助下,他们形成了一个复杂而动态的经济活动生态系统,估计价值超过 1000 亿美元,而且还在迅速增长。在这篇社论中,我们将从营销角度探讨创作者经济,解决以下问题:创作者如何优化自己的内容、建立自己的品牌、构建自己的内容构成并扩大受众?平台如何创造合适的创作者组合并策划他们的内容?传统企业面临哪些挑战和机遇?我们提出了与创作者、消费者、企业和平台相关的研究问题,并讨论了这些问题对企业内部营销职能的影响。这篇社论的一个重要观点是,尽管内容创作者看似是一群独立运作的不同个体,但他们的联合活动却创造了可以监控、货币化和战略管理的新兴模式。为实现这一目标,研究工作必须制定合适的衡量标准和方法,同时调整相关的营销结构。本社论附有营销学者撰写的四篇研究笔记,他们都从创作者经济的主要参与者那里获得了第一手资料。Bleier 等人(2024 年)研究了社交媒体平台在促成创造者经济中的作用。Hofstetter 和 Gollnhofer(2024 年)深入探讨了创作者在社交媒体上面临的最重要困境之一:在真实性和货币化之间取得平衡。Edeling 和 Wies(2024 年)在关注 "创意企业家"(创意经济中的企业家)以及支持其活动的生态系统时,也提到了货币化问题。而 Prandelli 等人(2024 年)则讨论了奢侈品牌如何利用创客经济。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
11.80
自引率
4.30%
发文量
77
审稿时长
66 days
期刊介绍: The International Journal of Research in Marketing is an international, double-blind peer-reviewed journal for marketing academics and practitioners. Building on a great tradition of global marketing scholarship, IJRM aims to contribute substantially to the field of marketing research by providing a high-quality medium for the dissemination of new marketing knowledge and methods. Among IJRM targeted audience are marketing scholars, practitioners (e.g., marketing research and consulting professionals) and other interested groups and individuals.
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