Absolute pitch in involuntary musical imagery

IF 1.7 4区 心理学 Q3 PSYCHOLOGY
Matthew G. Evans, Pablo Gaeta, Nicolas Davidenko
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引用次数: 0

Abstract

Memory for isolated absolute pitches is extremely rare in Western, English-speaking populations. However, past research has found that people can voluntarily reproduce well-known songs in the original key much more often than chance. It is unknown whether this requires deliberate effort or if it manifests in involuntary musical imagery (INMI, or earworms). Participants (N = 30, convenience sample) were surveyed at random times over a week and asked to produce a sung recording of any music they were experiencing in their heads. We measured the “pitch error” of each recording to the nearest semitone by comparing participants’ recordings to the original song. We found that 44.7% of recordings had a pitch error of 0 semitones, and 68.9% of recordings were within ± 1 semitone of the original song. Our results provide novel evidence that a large proportion of the population has access to absolute pitch, as revealed in their INMI.

无意识音乐意象中的绝对音高。
对孤立的绝对音高的记忆在西方英语国家的人群中极为罕见。然而,过去的研究发现,人们能够自愿地以原始调式重现著名歌曲的频率要比偶然的高得多。目前尚不清楚这是否需要刻意努力,还是表现为不自主的音乐想象(INMI,或耳虫)。我们在一周内随机对参与者(30 人,方便抽样)进行了调查,并要求他们将脑海中正在经历的任何音乐录制成歌唱录音。我们通过比较参与者的录音和原唱,测量了每段录音的 "音高误差"(精确到最接近的半音)。我们发现,44.7% 的录音音高误差为 0 个半音,68.9% 的录音与原唱的音高误差在 ± 1 个半音以内。我们的研究结果提供了新的证据,证明很大一部分人可以通过 INMI 获得绝对音高。
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来源期刊
CiteScore
3.60
自引率
17.60%
发文量
197
审稿时长
4-8 weeks
期刊介绍: The journal Attention, Perception, & Psychophysics is an official journal of the Psychonomic Society. It spans all areas of research in sensory processes, perception, attention, and psychophysics. Most articles published are reports of experimental work; the journal also presents theoretical, integrative, and evaluative reviews. Commentary on issues of importance to researchers appears in a special section of the journal. Founded in 1966 as Perception & Psychophysics, the journal assumed its present name in 2009.
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