The Drama Machine: Simulating Character Development with LLM Agents

Liam Magee, Vanicka Arora, Gus Gollings, Norma Lam-Saw
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Abstract

This paper explores use of multiple large language model (LLM) agents to simulate complex, dynamic characters in dramatic scenarios. We introduce a `drama machine' framework that coordinates interactions between LLM agents playing different `Ego' and `Superego' psychological roles. In roleplay simulations, this design allows intersubjective dialogue and intra-subjective internal monologue to develop in parallel. We apply this framework to two dramatic scenarios - an interview and a detective story - and compare character development with and without the Superego's influence. Though exploratory, results suggest this multi-agent approach can produce more nuanced, adaptive narratives that evolve over a sequence of dialogical turns. We discuss different modalities of LLM-based roleplay and character development, along with what this might mean for conceptualization of AI subjectivity. The paper concludes by considering how this approach opens possibilities for thinking of the roles of internal conflict and social performativity in AI-based simulation.
戏剧机器用 LLM 代理模拟角色发展
本文探讨了如何使用多个大型语言模型(LLM)代理来模拟戏剧场景中复杂、动态的角色。我们介绍了一种 "戏剧机器 "框架,它可以协调扮演不同 "自我 "和 "超我 "心理角色的 LLM 代理之间的互动。在角色扮演模拟中,这种设计允许主体间对话和主体内独白并行发展。我们将这一框架应用于两个戏剧场景--一个采访和一个侦探故事--并比较了有超我影响和没有超我影响的角色发展。尽管是探索性的,但结果表明这种多代理方法可以产生更细致入微、适应性更强的叙事,并在一系列对话回合中不断发展。我们讨论了基于 LLM 的角色扮演和角色发展的不同模式,以及这对人工智能主体性概念化的意义。最后,我们探讨了这种方法如何为思考内部冲突和社会表演性在人工智能模拟中的作用提供了可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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