Mohammad Syafa Frima, Mayasari. Mayasari., F. O. Lubis
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引用次数: 0
Abstract
This research aims to examine the role of songs as a tool of criticism against the government, focusing on "Gugatan Rakyat Semesta" which calls for scrutiny of governance. The study employs Norman Fairclough's critical discourse analysis approach with textual, discursive, and sociocultural analyses to understand how the song reflects socio-political dynamics in Indonesia. At the textual level, the research indicates that the song explicitly or implicitly urges people to challenge the government. Discursively, there is a correlation between the release of the song and student demonstrations. Sociocultural analysis reveals that the song's release is influenced by social tensions arising from economic decline, unemployment, corruption, discourse on election postponement, and others. This research is expected to contribute to understanding how musical artworks, particularly songs, can serve as tools of critique in the Indonesian socio-political context.
Feast 的 "Gugatan Rakyat Semesta "中的政府批判(诺曼-费尔克拉夫模式的批判性话语分析)
本研究旨在探讨歌曲作为批评政府的工具所发挥的作用,重点是呼吁对政府进行监督的《Gugatan Rakyat Semesta》。研究采用诺曼-费尔克拉夫(Norman Fairclough)的批判性话语分析方法,通过文本、话语和社会文化分析,了解歌曲如何反映印度尼西亚的社会政治动态。研究表明,在文本层面,歌曲或明或暗地敦促人们挑战政府。从话语层面来看,歌曲的发布与学生示威之间存在关联。社会文化分析表明,这首歌的发布受到了经济衰退、失业、腐败、选举延期等社会矛盾的影响。这项研究有望帮助人们了解音乐艺术作品(尤其是歌曲)如何在印度尼西亚的社会政治环境中充当批判工具。