BIDRI CRAFTS AND ITS ENDURING IMPACT ON INDIAN CULTURE

Abstract

Bidri art, which comes from Bidar in Karnataka, it representative of a unique type of damascene work called "koftagiri," in which elaborately wrought objects made of an alloy of zinc and copper are covered in gold, silver, or brass encrustations. Turkish, Persian, Arabic, and native influences are all blended together in the art of Bidri, which flourished in the Deccan during the rule of the Bahmani and Baridi Sultanates. Moulding, polishing, designing, engraving, and inlaying are just a few of the eight painstaking steps involved in producing Bidri objects. The deep matte black finish of Bidri art is a distinctive feature that demonstrates a well-balanced fusion of old workmanship and modern artistry. This finish is created using a special combination of alloying, engraving, and oxidizing procedures. Bidriware showcases elaborate patterns, such as calligraphy, geometric shapes, floral motifs, and animal figures, that attest to the superb artistry of local craftspeople. The production of these remarkable works involves several techniques like relief carving, inlaying cut designs, surface crushing, and accurate silver sheet fastening. A Geographical Indication (GI) registry has been obtained by Bidriware, a craft form that is highly valued for its complex artistry and historical significance. This study explores Bidri art's history, cultural significance, and evolution from traditional to contemporary practices. It highlights the unique designs and patterns, the impact of modern technology, and the socio-economic aspects affecting artisans. Achievements and challenges faced by Bidri craftsmen are discussed, providing a holistic view of this traditional art form's past, present, and future.