Contributors

IF 0.8 2区 文学 0 LITERATURE
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Abstract

In lieu of an abstract, here is a brief excerpt of the content:

  • Contributors

Marco Caracciolo is Associate Professor of English and Literary Theory at Ghent University in Belgium. His work explores the phenomenology of narrative, or the structure of the experiences afforded by literary fiction and other narrative media, particularly video games. He is the author of several books, including most recently Contemporary Narrative and the Spectrum of Materiality (2023).

Joe Hughes is a Senior Lecturer in English and Theatre Studies at the University of Melbourne.

James Krasner is Professor of English at the University of New Hampshire. His research interests include interdisciplinary aesthetics, domestic and architectural space, and Victorian Studies. He is currently working on a project on the politics of sleep.

Jessica Marian is a postdoctoral researcher in English and Theatre Studies at the University of Melbourne.

Ruth Murphy is a philosopher and linguist and currently holds a postdoctoral position at the University of Sheffield. She is also completing her PhD in Italian (University of Cambridge) on ethical concepts that arose in response to the Holocaust. Her work spans a range of writers—among them Primo Levi, Hannah Arendt, and James Baldwin—and combines literature and moral philosophy.

Elliot Patsoura is a postdoctoral researcher in English and Theatre Studies at the University of Melbourne.

Simon Reader is Associate Professor of English at the City University of New York. He is the author of Notework: Victorian Literature and Nonlinear Style (2021).

William Revere is Associate Professor of English at the University of North Carolina, Asheville. His research and writing focus on later medieval English literature and the reception of medieval literary and ethical traditions in early modernity and beyond. He is working on a book about conscience, virtues, social recognition, and moral "hiddenness" in ethical traditions from Chaucer and Langland in the late fourteenth century to the English reformations of sixteenth and seventeenth centuries.

Magda Szcześniak is Assistant Professor of Cultural Studies at the Institute of Polish Culture, University of Warsaw. She is the author of two monographs devoted to the politics of representing class identities, structures, and conflicts in Polish culture. Her work has appeared in journals such as Journal of Visual Culture, Oxford Art Journal, and View. Theories and Practices of Visual Culture.

Laura E. Tanner is Professor of English at Boston College, where she teaches American literature of the last century. She writes on narrative and representation, literary and visual images, and topics ranging from waiting rooms to 9/11. Her most recent book is The Elusive Everyday in the Fiction of Marilynne Robinson (2021).

Copyright © 2024 New Literary History ...

贡献者
以下是内容的简要摘录,以代替摘要: 撰稿人 马可-卡拉乔洛是比利时根特大学英语和文学理论副教授。他的工作是探索叙事现象学,即文学小说和其他叙事媒体(尤其是电子游戏)所提供的体验结构。他著有多部著作,包括最近出版的《当代叙事与物质性光谱》(2023 年)。乔-休斯是墨尔本大学英语和戏剧研究高级讲师。詹姆斯-克拉斯纳是新罕布什尔大学的英语教授。他的研究兴趣包括跨学科美学、家庭和建筑空间以及维多利亚研究。他目前正在研究一个关于睡眠政治的项目。杰西卡-玛丽安是墨尔本大学英语和戏剧研究的博士后研究员。露丝-墨菲(Ruth Murphy)是一名哲学家和语言学家,目前在谢菲尔德大学担任博士后。她还在剑桥大学攻读意大利语博士学位,研究大屠杀中出现的伦理概念。她的研究涉及一系列作家,其中包括普里莫-列维(Primo Levi)、汉娜-阿伦特(Hannah Arendt)和詹姆斯-鲍德温(James Baldwin),并将文学与道德哲学相结合。Elliot Patsoura 是墨尔本大学英语和戏剧研究的博士后研究员。Simon Reader 是纽约市立大学英语系副教授。他著有《笔记》(Notework)一书:维多利亚文学与非线性风格》(2021 年)的作者。William Revere 是北卡罗来纳大学阿什维尔分校的英语副教授。他的研究和写作重点是中世纪后期的英国文学,以及中世纪文学和伦理传统在现代早期及之后的接受。他正在撰写一本关于良知、美德、社会认可和道德 "隐蔽性 "的著作,内容涉及从十四世纪晚期的乔叟和朗格朗到十六世纪和十七世纪英国改革时期的伦理传统。玛格达-什切希尼亚克(Magda Szcześniak)是华沙大学波兰文化研究所文化研究助理教授。她撰写了两部专著,专门研究波兰文化中表现阶级身份、结构和冲突的政治。她的作品曾发表在《视觉文化期刊》、《牛津艺术期刊》和《View》等期刊上。视觉文化理论与实践》等杂志。Laura E. Tanner 是波士顿学院的英语教授,教授上世纪美国文学。她的著作涉及叙事与表现、文学与视觉图像以及从候车室到 9/11 的各种主题。她的最新著作是《玛丽莲-罗宾逊小说中难以捉摸的日常》(2021 年)。版权所有 © 2024 新文学史...
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来源期刊
New Literary History
New Literary History LITERATURE-
CiteScore
1.50
自引率
11.10%
发文量
8
期刊介绍: New Literary History focuses on questions of theory, method, interpretation, and literary history. Rather than espousing a single ideology or intellectual framework, it canvasses a wide range of scholarly concerns. By examining the bases of criticism, the journal provokes debate on the relations between literary and cultural texts and present needs. A major international forum for scholarly exchange, New Literary History has received six awards from the Council of Editors of Learned Journals.
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