{"title":"Reinventing Sacred Ground Amidst Natural Disaster: The Holy Islamic Tomb in Seventeenth-Century Quanzhou","authors":"Sylvia Wu","doi":"10.1386/ijia_00143_1","DOIUrl":null,"url":null,"abstract":"\n The Holy Islamic Tomb at Lingshan Mountain in Quanzhou, China, is believed to be the final resting place of two of the Prophet Muhammad’s disciples who were dispatched as missionaries in the early seventh century. While prior scholarship has centred on verifying the tradition’s chronology, this article foregrounds the role of environmental actors in the tomb site’s ascent to prominence. I argue that the holy tomb (shengmu) tradition did not emerge until the late sixteenth and early seventeenth century, so its invention should be analysed alongside concurrent climate hazards that plagued late Ming China (1368–1644). Uncommon episodes of snowfall, flooding, drought, and associated famines drove Quanzhou’s local communities towards popular religious practices. Muslim visitation practices in Quanzhou, which experienced a restrained period following the decline of Mongol rule, re-emerged into universal consciousness and became integral to the city’s spiritual landscape by aligning with Chinese allegorical narratives. Through this reinvented tradition, the Holy Islamic Tomb was characterized as a site blessed by the heavens during times of cosmic disturbances. Instead of passive assimilation, through which religious identities may be diluted, the active participation of Quanzhou Muslims in local practices empowered them to elevate and honour Islamic traditions within a predominantly non-Muslim society.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Islamic Architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/ijia_00143_1","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
The Holy Islamic Tomb at Lingshan Mountain in Quanzhou, China, is believed to be the final resting place of two of the Prophet Muhammad’s disciples who were dispatched as missionaries in the early seventh century. While prior scholarship has centred on verifying the tradition’s chronology, this article foregrounds the role of environmental actors in the tomb site’s ascent to prominence. I argue that the holy tomb (shengmu) tradition did not emerge until the late sixteenth and early seventeenth century, so its invention should be analysed alongside concurrent climate hazards that plagued late Ming China (1368–1644). Uncommon episodes of snowfall, flooding, drought, and associated famines drove Quanzhou’s local communities towards popular religious practices. Muslim visitation practices in Quanzhou, which experienced a restrained period following the decline of Mongol rule, re-emerged into universal consciousness and became integral to the city’s spiritual landscape by aligning with Chinese allegorical narratives. Through this reinvented tradition, the Holy Islamic Tomb was characterized as a site blessed by the heavens during times of cosmic disturbances. Instead of passive assimilation, through which religious identities may be diluted, the active participation of Quanzhou Muslims in local practices empowered them to elevate and honour Islamic traditions within a predominantly non-Muslim society.
期刊介绍:
The International Journal of Islamic Architecture (IJIA) publishes bi-annually, peer-reviewed articles on the urban design and planning, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the practical, historical and theoretical aspects of architecture, with a focus on both design and its reception. The journal also aims to encourage dialogue and discussion between practitioners and scholars. Articles that bridge the academic-practitioner divide are highly encouraged. While the main focus is on architecture, papers that explore architecture from other disciplinary perspectives, such as art, history, archaeology, anthropology, culture, spirituality, religion and economics are also welcome. The journal is specifically interested in contemporary architecture and urban design in relation to social and cultural history, geography, politics, aesthetics, technology and conservation. Spanning across cultures and disciplines, IJIA seeks to analyse and explain issues related to the built environment throughout the regions covered. The audience of this journal includes both practitioners and scholars. The journal publishes both online and in print. The first issue was published in January 2012.