Making With Place: Community Artists Theorizing Change

IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH
Charlotte Lombardo, Phyllis Novak
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引用次数: 0

Abstract

This article confronts tensions of “risk” and “change” in youth engagement and community arts, towards insights for alternate world-building. We problematize overly instrumental approaches, by examining aesthetic and inductive theories of change arising from Making With Place, a research creation initiative based in Toronto, Canada. From Spring 2020 to Fall 2022, we engaged diverse young people as artist-researchers in community arts production experiments exploring concepts of place from individual and collective perspectives. We draw here on resulting public artworks, discussions with the artists, and our own field notes to surface the theories of change arising from this work. We identify three emergent metaphors—the garden, the bridge, the margins—and the ways in which they resist dominant discourses in favor of new practices of imagination and repair. We explore how these creative explorations articulate theories of change that refuse forgetting and call forth desire.
因地制宜:将变革理论化的社区艺术家
本文探讨了青年参与和社区艺术中的 "风险 "与 "变革 "之间的紧张关系,为另类世界的构建提供了启示。我们通过研究 "与地方共创"(Making With Place)活动中产生的美学和归纳性变革理论,对过于工具化的方法提出质疑。从 2020 年春季到 2022 年秋季,我们让不同的年轻人作为艺术家-研究者参与社区艺术创作实验,从个人和集体的角度探索地方的概念。在此,我们借鉴了由此产生的公共艺术作品、与艺术家们的讨论以及我们自己的实地记录,以揭示这项工作所产生的变革理论。我们确定了三个新出现的隐喻--花园、桥梁和边缘--以及它们如何抵制主流话语,支持新的想象力和修复实践。我们将探讨这些创造性的探索是如何阐明拒绝遗忘、呼唤愿望的变革理论的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
LEARNing Landscapes
LEARNing Landscapes EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
0.60
自引率
0.00%
发文量
28
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