The author's neologisms of W. Gibson's science fiction novel "Mona Lisa Overdrive": Features of word formation and translation from English into Russian

Petr Nicolaevich Iaroshenko
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Abstract

The article considers the problem of the functioning of author's neologisms in a literary text as an integral genre-forming feature of science fiction. It is noted that despite the broad interpretation of neologisms as a new word or expression, the science of language has not developed a unified approach to the definition and classification of linguistic innovations. The purpose of the work is to identify the specifics of the interlanguage translation of the author's neologisms of W. Gibson's science fiction novel "Mona Lisa Overdrive" when translated into Russian. The scientific novelty lies in the identification of techniques for creating author's neologisms as the results of the individual author's word formation by W. Gibson, which were first analyzed on the English-language material of the work and the Russian translation by A. A. Komarinets. As a result of the study, three groups of author's neologisms were identified: Gibson's "neologisms-realities", "neologisms-terms", "neologisms-toponyms", constructed by the author according to several models of word formation (creation of a phrase, addition of bases, creation of an acronym, shortening of a word, replacement of the meaning of a word). Based on the comparison of author's neologisms in the original language and in the translation language of a work of science fiction, the specificity of translation solutions for the transfer of author's neologisms into Russian (literal translation, replication, transliteration, search for linguistic correspondences, lexical substitution and descriptive translation, etc.) is revealed, which is determined not so much by the need for an adequate reflection of the graphic or sound form of the author's neologism how much meaning there is in the transmission. Clarifying the specifics of the creation and translation of author's neologisms opens up the possibility of studying modern language development processes and choosing productive translation strategies.
W. Gibson 的科幻小说《蒙娜丽莎超速》的作者新词:组词和英译俄的特点
文章探讨了作者的新词在文学文本中的作用问题,将其视为科幻小说不可或缺的体裁特征。文章指出,尽管新词被广义地解释为一种新的词汇或表达方式,但语言科学并没有为语言创新的定义和分类制定统一的方法。这项工作的目的是确定 W. Gibson 的科幻小说《蒙娜丽莎超速》译成俄语时作者新词的跨语言翻译的具体情况。其科学新颖性在于将作者新词的创作技巧确定为 W. Gibson 作者个人组词的结果,并首先对该作品的英文材料和 A. A. Komarinets 的俄文译本进行了分析。研究结果确定了三组作者的新词:吉布森的 "新词--现实"、"新词--术语"、"新词--地名",是作者根据几种组词模式(创建短语、添加词基、创建缩略语、缩短单词、替换单词含义)构建的。通过对科幻作品中作者新词在原文和译文中的对比,可以发现将作者新词翻译成俄语的翻译方案的特殊性(直译、复制、音译、寻找语言对应关系、词性替换和描述性翻译等),其决定因素与其说是需要充分反映作者新词的图形或声音形式,不如说是在传递过程中有多少意义。澄清作者新词的创作和翻译的具体细节,为研究现代语言发展过程和选择富有成效的翻译策略提供了可能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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