Vision of transmedia narratives of memory. Case study of the digital platform Museum of Memory and Human Rights of Chile

Miguel Alejandro Chamorro Maldonado
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Abstract

Introduction: Creative modalities in transmedia narratives contribute to seeing the recovery of Chile's historical memory in fiction and non-fiction content, communicationally in new reconstructions of memory. Objective: Review and explain the conditions of the transmediality of memory organized on the online platform www.mmdh.cl Methodology: Five subplatforms of various genres and formats are observed in which content analysis of the narratives and a focus group of professionals are applied, to analyze the sense of transmediality of the memory stories according to sociocultural variables. Results: By observing the diversity of opinions, transmedia memory allows us to reconstruct a conceptual map of stories that is based on the elaboration of multistories. Discussion: The diversity of memory treatments facilitates the sense of reflection of a change in the construction of memory, basing its importance on the dynamics of the story and education for new generations. Conclusion: It is demonstrated that the language of new statements promote varieties of expressions that are part of this transformation in the cultural organization of the past, thus covering all areas of contemporary life for the constant debate of memory, without losing its essence. of justice and truth.
记忆的跨媒体叙事愿景。智利记忆与人权博物馆数字平台案例研究
导言:跨媒体叙事中的创意模式有助于在虚构和非虚构内容中看到智利历史记忆的恢复,在新的记忆重建中进行传播。目的回顾并解释在线平台 www.mmdh.cl 上组织的记忆跨媒体性的条件:观察五个不同体裁和形式的子平台,对叙事内容进行分析,并对专业人士进行焦点小组讨论,根据社会文化变量分析记忆故事的跨媒体性。结果:通过观察各种观点的多样性,跨媒体记忆使我们能够重建一个基于多故事阐述的故事概念图。讨论:记忆处理方法的多样性有助于反思记忆构建中的变化,将其重要性建立在故事的动态性和对新一代人的教育之上。结论:事实证明,新的陈述语言促进了表达方式的多样性,这些表达方式是过去文化组织变革的一部分,从而涵盖了当代生活的所有领域,促进了对记忆的持续辩论,同时又不失其本质,即正义与真相。
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