FEMINIST MESSAGES IN RITUPARNO GHOSH’S FILMS ‘CHOKHERBALI’ AND ‘BAARIWALI’: A CRITICAL ANALYSIS OF FEMALE DESIRES

Noveena Chakravorty, Sharmila Kayal
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Abstract

Films are the reflection of the socio-psychological phenomenon of our society. Cinema is an influential medium that resonates with the culture, attitude, human thought process, and temperament of people in our society, especially in the context of Women. Females are often projected in a very stereotypical way in films. Indian mainstream films hardly explore women's psyche. The female characters mostly dwell in a minor part around the lead male actors/protagonists. The social, cultural, and economic conditions of middle-class Bengali families have a notable effect on Rituparno's works. He adapted Tagore's novel Chokherbali and described the character Binodini in his version. He depicted the unique equation between two female characters 'Binodini' and 'Ashalata' and their affinity towards the same man. He enlightened the impenitent sensual desire of a widow (Binodini) and her ego. The film, Chokherbali (A Grain of Sand) is a story of the love, desire, and loneliness of women. "Bariwali," also known as "The Lady of the House," is a Bengali film released in 2000. The story of a lonely, wealthy woman named Banalata, played by Kirron Kher, who becomes emotionally attached to a young filmmaker who comes to shoot a documentary at her mansion. The film explores themes of loneliness, desire, and the complexities of human relationships. Rituparno Ghosh was known for his sensitive storytelling and exploration of human emotions, and "Bariwali" is no exception. G.D. Anderson once quoted, "Feminism isn't about making women strong, women are already strong. It's about changing the way the world perceives that strength. Source.” The same in the case of Rituparno Ghosh as an auteur who wrote his female characters very diligently and portrayed them on screen Muneer (2022). This is qualitative research and it critically analysed the storyline of the film ‘Chokher Bali’ and ‘Bariwali directed by Rituparno Ghosh. The study focussed on the female desire auteur theory and framing theory and it finds out the motivation behind his female desires, motivation and agony. The research paper deals with women’s issues, desires, and struggles for their existence in the contemporary socio-cultural context by analysing the frames and narratives.
Rituparno Ghosh 的电影《Chokherbali》和《Baariwali》中的女性主义信息:对女性欲望的批判性分析
电影是社会心理现象的反映。电影是一种具有影响力的媒介,它与我们社会中人们的文化、态度、思维过程和气质产生共鸣,尤其是在女性方面。女性在电影中的形象往往非常刻板。印度主流电影几乎不探讨女性的心理。女性角色大多只是男主角/主角身边的小角色。孟加拉中产阶级家庭的社会、文化和经济状况对里图帕诺的作品产生了显著影响。他改编了泰戈尔的小说《Chokherbali》,并在自己的版本中描述了比诺迪尼这一角色。他描绘了两个女性角色 "比诺迪妮 "和 "阿莎拉塔 "之间的独特关系,以及她们对同一个男人的好感。他揭示了一个寡妇(比诺迪尼)顽固的感官欲望和她的自我。影片《一粒沙》(Chokherbali)讲述了女性的爱情、欲望和孤独。"Bariwali "又名 "女主人",是 2000 年上映的一部孟加拉电影。该片讲述了由 Kirron Kher 饰演的一位名叫 Banalata 的孤独富裕女性与前来她家豪宅拍摄纪录片的年轻电影制片人之间的情感故事。影片探讨了孤独、欲望和复杂的人际关系等主题。里图帕诺-戈什以其敏感的叙事手法和对人类情感的探索而著称,《巴里瓦利》也不例外。G.D. Anderson 曾说过:"女权主义不是让女性变得强大,女性本来就很强大。而是要改变世界对这种力量的看法。来源"。里图帕诺-戈什(Rituparno Ghosh)也是如此,他是一位非常勤奋地创作女性角色并将其搬上银幕的大师,Muneer (2022)。这是一项定性研究,对里图帕诺-戈什执导的电影《乔克尔-巴利》和《巴里瓦利》的故事情节进行了批判性分析。研究重点是女性欲望作者理论和框架理论,并找出其女性欲望、动机和痛苦背后的动机。研究论文通过分析框架和叙事,探讨了当代社会文化背景下女性的问题、欲望和生存斗争。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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