Towards a model of playful music learning for primary classrooms: recommendations based on a review of literature

IF 1 3区 教育学 Q3 EDUCATION & EDUCATIONAL RESEARCH
Rachael Byrne, Regina Murphy, Francis Ward, Una McCabe
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引用次数: 0

Abstract

Playful practices have been linked to increased motivation, engagement, learning and skill development. However, limited research has explored what playful music learning might look like for primary schools, and how teachers might incorporate a range of playful music practices within their classrooms. Our conceptual model for playful music learning amalgamates and builds upon previous philosophy, theory and research in the education and music education spheres. In doing so, it extends musical play across a continuum of ownership as has been proposed by Zosh et al. (2017) in the realm of playful learning more generally. Playful elements associated with the work of music education pedagogues Kodály and Kokas and other researchers in the field are outlined. Examples of musical games-play and guided musical play for primary classrooms are illustrated, and some recommendations are provided to support teachers in facilitating increasingly playful music learning.

小学课堂游戏化音乐学习模式:基于文献综述的建议
游戏性实践与提高学习动机、参与度、学习和技能发展有关。然而,对小学游戏性音乐学习的探索,以及教师如何在课堂上融入一系列游戏性音乐实践的研究还很有限。我们的游戏性音乐学习概念模型融合并借鉴了以往教育和音乐教育领域的理念、理论和研究。在此过程中,它将音乐游戏扩展到了所有权的连续统一体中,正如 Zosh 等人(2017 年)在游戏性学习领域更广泛地提出的那样。概述了与音乐教育学家柯达伊和科卡斯以及该领域其他研究者的工作相关的游戏元素。举例说明了小学课堂的音乐游戏和有指导的音乐游戏,并提出了一些建议,以支持教师促进日益游戏化的音乐学习。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.40
自引率
10.00%
发文量
37
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