Fadila Rana Laluna, M. Suryadi, Sukarjo Waluyo, Michael Kevin Bryan Sahertian
{"title":"Hubungan nilai budaya suku Batak dengan ideologi patriarki pada karakter pria dalam film Ngeri-Ngeri Sedap","authors":"Fadila Rana Laluna, M. Suryadi, Sukarjo Waluyo, Michael Kevin Bryan Sahertian","doi":"10.30872/diglosia.v7i2.970","DOIUrl":null,"url":null,"abstract":"This research was carried out to understand the relationship between Batak cultural values and patriarchal ideology, which is reflected in the masculinity of the male characters (Mr. Domu, Domu, Gabe, and Sahat) in the film Ngeri-Ngeri Sedap, directed by Bene Dion Rajagukguk. This research was carried out based on interpreting the emerging patriarchal ideology in the film Ngeri-Ngeri Sedap through signs of masculinity of male characters who live in Toba, North Sumatra, or those who choose to emigrate. The method used in this research is a qualitative approach through the sociology of literature and gender (masculinity) and literature study. The theory used in analyzing this film is the theory of masculinity by Tuncay. The results found are that there is a relationship between patriarchal ideology, which is reflected through the masculinity of male characters in films, and Batak cultural values. Individuals who live their lives with strong Batak cultural values almost every day will have a higher level of masculinity, which will result in a stronger patriarchal ideology that they display. Meanwhile, individuals who live a life with strong Batak cultural values will show less of their patriarchal ideology to those around them.","PeriodicalId":512562,"journal":{"name":"Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya","volume":"107 10","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30872/diglosia.v7i2.970","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This research was carried out to understand the relationship between Batak cultural values and patriarchal ideology, which is reflected in the masculinity of the male characters (Mr. Domu, Domu, Gabe, and Sahat) in the film Ngeri-Ngeri Sedap, directed by Bene Dion Rajagukguk. This research was carried out based on interpreting the emerging patriarchal ideology in the film Ngeri-Ngeri Sedap through signs of masculinity of male characters who live in Toba, North Sumatra, or those who choose to emigrate. The method used in this research is a qualitative approach through the sociology of literature and gender (masculinity) and literature study. The theory used in analyzing this film is the theory of masculinity by Tuncay. The results found are that there is a relationship between patriarchal ideology, which is reflected through the masculinity of male characters in films, and Batak cultural values. Individuals who live their lives with strong Batak cultural values almost every day will have a higher level of masculinity, which will result in a stronger patriarchal ideology that they display. Meanwhile, individuals who live a life with strong Batak cultural values will show less of their patriarchal ideology to those around them.
本研究旨在了解巴塔克文化价值观与重男轻女意识形态之间的关系,而重男轻女意识形态则反映在由 Bene Dion Rajagukguk 导演的电影《Ngeri-Ngeri Sedap》中男性角色(多穆先生、多穆、加贝和萨哈特)的男子气概中。本研究通过生活在北苏门答腊多巴或选择移居国外的男性角色的男性特征,解读电影《Ngeri-Ngeri Sedap》中新出现的父权意识形态。本研究采用的方法是文学社会学、性别(男性气质)和文学研究的定性方法。分析这部影片所使用的理论是 Tuncay 的男性气质理论。研究结果表明,电影中男性角色的阳刚之气所反映的父权制意识形态与巴塔克文化价值观之间存在着某种关系。几乎每天都在强烈的峇峇文化价值观下生活的人,其男性气质水平会更高,这将导致他们表现出更强烈的父权意识形态。与此同时,生活中具有强烈峇峇文化价值观的人则较少向周围的人展示他们的重男轻女思想。