PRODUCT DIVERSIFICATION FOR SUSTAINABILITY INSPIRED BY TRADITIONAL ROGAN PRINTING OF GUJARAT

Sakshi Khalkar, Sadhna
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Abstract

The age-old artistic practice of rag painting, which is practiced in Gujarat, Peshawar, and Sindh. It involves using a stylus to expertly apply a thick paste made of vegetable colours and castor or linseed oil onto fabric. The Persian origin of the term "Rogan" means "oil-based," emphasizing the process of heating and forming castor oil in cold water to create a viscous material. This art form was once quite popular among the Muslim Khatris group in Gujarat, and it is historically credited to the Afridis, a community of Syrian descent. After the first impression, the cloth is carefully folded to create a mirrored design. The artists used their palms to apply body-temperature paint. Rogan painting, which is well-known for its rich colours and intricate designs that frequently incorporate floral themes, animals, and regional cultural features, has faced challenges due to low awareness and the rise of low-cost, automated textiles. However, there has been a resurgence in recent years, contributed to increased tourists, support from non-profits and local cooperatives, and the prestige of winning awards and recognition. This paper gave insights into the ideation of incorporating and being inspired by Rogan art motifs into product diversification with contemporary designs through embroidery for garment collections.
受古吉拉特邦传统罗甘印刷的启发,实现产品多样化以促进可持续发展
在古吉拉特邦、白沙瓦和信德省流传着一种古老的布画艺术。它是用触笔将由植物色素和蓖麻油或亚麻籽油制成的厚浆涂抹在织物上。Rogan "一词来源于波斯语,意为 "以油为基础",强调在冷水中加热蓖麻油并使其成形以形成粘性材料的过程。这种艺术形式曾在古吉拉特邦的穆斯林 Khatris 群体中相当流行,历史上被认为是叙利亚后裔 Afridis 所创造的。第一印象完成后,将布仔细折叠,形成镜面图案。艺术家们用手掌涂抹体温颜料。罗甘画以其丰富的色彩和复杂的设计而闻名,经常融入花卉主题、动物和地区文化特色,但由于认知度低和低成本自动化纺织品的兴起,罗甘画面临着挑战。然而,近年来,由于游客增加、非营利组织和当地合作社的支持以及获奖和认可带来的声誉,纺织业重新崛起。本文深入探讨了将罗甘艺术图案融入产品多样化的构思,并从罗甘艺术图案中汲取灵感,通过刺绣实现服装系列的现代设计。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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