The mathematical model for colour preference in Chinese painting within museum lighting environments

IF 2 4区 工程技术 Q3 CHEMISTRY, APPLIED
Rui Dang, Shuning Wang, Xingcan Sun, Ming Tang, Di Yang
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引用次数: 0

Abstract

Colour in a Chinese painting not only conveys cultural, historical, and philosophical concepts but also carries specific symbolic meanings and emotions, possessing a high level of artistic value. However, the sensitivity of Chinese paintings to light results in exhibition environments being characterised by low illuminance and low colour temperature. Therefore, accurately assessing colour preferences in Chinese paintings under such conditions is an issue that needs to be addressed. This study conducted simulated experiments in real museum exhibition halls, with 36 participants providing subjective evaluations of Chinese paintings, to explore the effects of various lighting parameters on colour preferences. Through statistical analysis and multiple linear regression, the relationship between lighting parameters and colour preferences in a Chinese painting was determined, and an evaluation model was established. This research outcome provides important mathematical tools for selecting appropriate lighting and developing dedicated lighting for Chinese paintings, ensuring the artistic inheritance of Chinese painting colours.
博物馆照明环境下中国画色彩偏好的数学模型
中国画中的色彩不仅传达着文化、历史和哲学概念,还承载着特定的象征意义和情感,具有极高的艺术价值。然而,中国画对光线的敏感性导致展览环境具有低照度和低色温的特点。因此,在这种条件下准确评估中国画的色彩偏好是一个亟待解决的问题。本研究在真实的博物馆展厅中进行了模拟实验,由 36 名参与者对中国画进行主观评价,以探讨各种照明参数对色彩偏好的影响。通过统计分析和多元线性回归,确定了中国画照明参数与色彩偏好之间的关系,并建立了评价模型。这一研究成果为选择合适的照明和开发中国画专用照明提供了重要的数学工具,确保了中国画色彩的艺术传承。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Coloration Technology
Coloration Technology 工程技术-材料科学:纺织
CiteScore
3.60
自引率
11.10%
发文量
67
审稿时长
4 months
期刊介绍: The primary mission of Coloration Technology is to promote innovation and fundamental understanding in the science and technology of coloured materials by providing a medium for communication of peer-reviewed research papers of the highest quality. It is internationally recognised as a vehicle for the publication of theoretical and technological papers on the subjects allied to all aspects of coloration. Regular sections in the journal include reviews, original research and reports, feature articles, short communications and book reviews.
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