An overview of Mask Making at Khatpar Satra

Manjit Kumar Shah
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Abstract

Sivasagar district is a historically important district in Assam. There are many ethnic groups in the area and people of different ethnic groups have built bridges of social, cultural and religious harmony in this place. In the fifteenth and sixteenth centuries, Mahapurusha Sri Sankaradeva pioneered the Neo-Vaishnavism in Assam. He first preached in central and southern Assam and later came to southern Assam. His close associate was his student Madhaveda. Apart from Sankaradeva, Madhavadevas, Damodardevas and Haridevas also preached Vaishnavism in their own way in southern Assam at that time. After Sankaradeva, the Dharmacharyas founded by Banshigopalder, Gopal Ata, Badula Padma Ata, Keshavcharan, Yadumanidev, Purushottam Tagore, Chaturbhuj Tagore, Ai Kankalta etc. took the lead in spreading this neo-Vaishnavism in southern Assam. There are more than seventy satras in Shivsagar at present. These satras have been promoting religion as well as literature, culture. These satras have contributed significantly to the society through songs, nam-prasangas, dances, bhaonas, puppet dances, observances etc. The research book contains details of some of the prominent satras, especially the festivals celebrated at Khatpar Satra. The masks used in the bhaonas created by Sankardev have now gained international acclaim. This is an overview of the heritage of mask art of Khatpar Satra, one of the satras that made this mask art. The names of the ancient treasures preserved in the satras are also mentioned. It is hoped that this discussion will reveal at least some new information about the social and cultural aspects of the Satras in Shivsagar district. This discussion also provides some information on how masks have been used in different parts of the world outside Assam. There are many different types of masks available in the market. Field study methods and various books, histories, charit puthi etc. related to satras have been used to study the subject.
哈特帕尔-萨特拉面具制作概述
锡瓦萨格尔区是阿萨姆邦一个具有重要历史意义的地区。该地区有许多民族,不同民族的人们在这里架起了社会、文化和宗教和谐的桥梁。15 和 16 世纪,马哈普鲁沙-斯里-桑卡拉德瓦(Mahapurusha Sri Sankaradeva)在阿萨姆邦开创了新毗湿奴主义。他首先在阿萨姆邦中部和南部传教,后来来到阿萨姆邦南部。他的亲密伙伴是他的学生马达维达(Madhaveda)。除桑卡拉德瓦外,马达夫达瓦、达摩达瓦和哈里德瓦当时也在阿萨姆南部以各自的方式宣扬吠舍那维派。在桑卡拉德瓦之后,由班希戈帕尔德、戈帕尔-阿塔、巴杜拉-帕德玛-阿塔、凯沙夫查兰、亚杜马尼德夫、普鲁肖塔姆-泰戈尔、查图尔布朱-泰戈尔、艾-坎卡尔塔等人创立的达摩院率先在阿萨姆邦南部传播这种新吠舍那教。目前,希夫萨加尔有七十多个萨特拉。这些萨特拉一直在宣传宗教、文学和文化。这些萨特拉通过歌曲、nam-prasangas、舞蹈、bhaonas、木偶舞蹈、纪念活动等为社会做出了巨大贡献。这本研究著作详细介绍了一些著名的萨特拉,尤其是哈特帕尔萨特拉的节日庆祝活动。桑卡德夫创作的 "波纳斯 "中使用的面具如今已获得国际赞誉。这是 Khatpar Satra 面具艺术遗产的概述,Khatpar Satra 是制作这种面具艺术的萨特拉之一。文中还提到了保存在萨特拉的古代珍宝的名称。希望这次讨论至少能揭示一些有关希夫萨加尔地区萨特拉社会和文化方面的新信息。本讨论还提供了一些关于面具在阿萨姆邦以外的世界不同地区如何使用的信息。市场上有许多不同类型的面具。在研究过程中,我们采用了实地考察的方法和各种与萨特拉有关的书籍、历史和 charit puthi 等。
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