Soiled bodies: unearthing the colonial Caribbean in the memorials of Ralph Abercromby, John Moore and Thomas Picton, c. 1803–1816

IF 0.3 3区 艺术学 0 ART
Gemma Shearwood
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Abstract

This article moves beyond iconography to seek out traces of the colonial Caribbean in the memorials to Lieutenant-General Sir Ralph Abercromby by Richard Westmacott (c. 1803–09), Lieutenant-General Sir John Moore by John Bacon Jr (1815), and Lieutenant-General Sir Thomas Picton by Sebastian Gahagan (1816). In these memorials, ‘soil’ in its figurative, imagined and literal forms offers a lens through which to consider Caribbean colonialism in relation to the peculiar contradiction of attraction and repulsion that characterized British attitudes towards this region of the empire. Using ‘soil’ as a lens in this way blends the superficial Napoleonic commemorations of these officers with broader imperial resonances of this conflict, and amplifies early nineteenth-century debates in Britain regarding the regulation and abolition of African enslavement and the trade in enslaved Africans. Recognizing the significance of soil is therefore essential to identifying traces of the colonial Caribbean in St Paul’s, thereby rectifying the iconographic absence of this imperial context across the pantheon, and further demonstrating methodological resistance to discursive erasures of Britain’s contested histories.
玷污的尸体:从拉尔夫-阿伯克罗姆比、约翰-摩尔和托马斯-皮克顿的纪念碑中发掘加勒比殖民地,约 1803-1816 年
本文不局限于图标,而是在理查德-韦斯特马科特(Richard Westmacott,约 1803-09 年)的拉尔夫-阿伯克罗姆比中将爵士纪念碑、小约翰-培根(John Bacon Jr,1815 年)的约翰-摩尔中将爵士纪念碑以及塞巴斯蒂安-加根(Sebastian Gahagan,1816 年)的托马斯-皮克顿中将爵士纪念碑中寻找加勒比殖民地的痕迹。在这些纪念碑中,"土壤 "以其具象、想象和文字的形式提供了一个视角,通过这个视角,我们可以将加勒比殖民主义与吸引和排斥的特殊矛盾联系起来,而这种矛盾正是英国人对帝国这一地区的态度的特点。以这种方式使用 "土壤 "作为视角,可以将对这些军官的肤浅的拿破仑式纪念与这场冲突的更广泛的帝国共鸣结合起来,并扩大 19 世纪早期英国关于监管和废除非洲奴役以及非洲奴隶贸易的辩论。因此,认识到土壤的重要性对于识别大三巴牌坊中的加勒比殖民地痕迹至关重要,从而纠正万神殿中缺乏这种帝国背景的图标,并进一步表明在方法论上抵制对英国有争议历史的话语抹杀。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
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