Royal Tamga Signs and Their Significance for the Epigraphic Culture of the Bosporan Kingdom

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2024-05-27 DOI:10.3390/arts13030095
Michał Halamus
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引用次数: 0

Abstract

This article examines the phenomenon of the so-called royal tamga signs issued on stone stelae in the Bosporan Kingdom in the 2nd and 3rd centuries CE. Tamgas were symbols commonly used by Eurasian nomads throughout the first millennium BCE. The appearance of tamgas in the northern shores of the Black Sea in the 2nd/1st BCE, followed by their adoption into the Greek epigraphic culture of the kingdom, represents an intriguing example of symbolic integration and another step in the formation of Bosporan culture. Research on cultural interactions between the inhabitants of the Bosporus has rarely focused on epigraphic material in its own right. Analyzing a small group of public stone slabs that feature tamgas, this article contributes to existing studies on numerous private funerary reliefs. Furthermore, the current work aims to incorporate several examples of stelae with royal tamga signs into the growing interest in syncretism, which is occurring in other epigraphic cultures of the Greco-Roman world. The case of the Bosporan Kingdom shows that such processes can also occur in places where no literate culture had previously been firmly established.
塔姆加皇家标志及其对波斯波罗王国书信文化的意义
本文研究了公元前 2 世纪和 3 世纪博斯普鲁斯王国石碑上的所谓皇家塔姆伽标志现象。塔姆伽是公元前一千年欧亚游牧民族常用的符号。公元前 2/1 世纪,塔姆伽在黑海北岸出现,随后被该王国的希腊石刻文化所采用,这是符号融合的一个有趣例子,也是博斯普鲁斯文化形成的又一步骤。有关博斯普鲁斯居民之间文化互动的研究很少关注书信材料本身。本文分析了一小部分以塔姆加为特征的公共石板,为现有的大量私人墓葬浮雕研究做出了贡献。此外,目前的工作旨在将几个带有王室塔姆伽标志的石碑实例纳入对希腊-罗马世界其他书法文化中出现的同构现象日益增长的兴趣中。博斯普兰王国的案例表明,这种过程也可能发生在以前没有牢固建立起识字文化的地方。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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