Photographic Frames in the Westgate Mall Terror Attack Coverage

Benjamin Kinyanjui Mbatia, Wendo Nabea
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Abstract

Literary studies have evolved over the past few decades to include popular culture fields as text. Proponents of this inclusion argue that songs, memes, tweets, local dialects, and slogans say as much about people and cultures as traditional texts – perhaps even more. The opinion is that, by over-relying on traditional text for literary fodder, scholars shut themselves off from current and relevant information about the rapidly evolving literary and cultural landscape. The disregard for popular culture also turns away a younger audience that seems to prefer a more informal approach to art and literature. Thus, the reading of popular cultures as text is forcing the literary field to re-evaluate the fundamental principles that define its work. Literary scholars have to rethink their traditional ideals of writing, reading, and teaching texts. Yet, there remains a reluctance to accept such informal forms of communication as memes and tweets as legitimate literature. Popular culture is not well regarded in literary studies and some stakeholders fear its classification as text could dilute the impact of the field. This paper investigates this trepidation by analyzing how reading popular culture fields as text impacts the identity of text in literary studies. Based on selected tenets of Literary and Cultural Studies (LCS) Research, particularly cultural literacy, this paper examines the legitimacy of different popular culture formats to determine if they hold enough value to warrant literary analysis. The author argues that many forms of popular culture deserve a closer look, especially through a literary lens, because they reveal the cultures, beliefs, and practices of their audience. He suggests that the incorporation of popular culture into literary studies offers many opportunities for growth and discovery but only if implemented diligently. Finally, this paper investigates why the literary field is reluctant to read popular cultures as text and how scholars can navigate this inclusion to create a more cohesive definition of text.
西门购物中心恐怖袭击报道中的摄影框架
在过去的几十年里,文学研究已经发展到将大众文化领域作为文本纳入研究范围。这种纳入的支持者认为,歌曲、备忘录、微博、地方方言和口号与传统文本一样,甚至更能说明人和文化。这种观点认为,如果过度依赖传统文本作为文学素材,学者们就会将自己与当前快速发展的文学和文化景观的相关信息隔绝开来。对大众文化的漠视也会将年轻读者拒之门外,因为他们似乎更喜欢以一种更非正式的方式来了解艺术和文学。因此,将大众文化作为文本来解读,正迫使文学领域重新评估界定其工作的基本原则。文学学者必须重新思考他们对写作、阅读和教授文本的传统理想。然而,人们仍然不愿意接受像备忘录和推文这样的非正式交流形式为合法文学。大众文化在文学研究中的地位并不高,一些相关人士担心将其归类为文本会削弱该领域的影响力。本文通过分析将大众文化领域视为文本如何影响文学研究中的文本身份,对这种担忧进行了研究。基于文学与文化研究(LCS)研究的选定原则,特别是文化素养,本文研究了不同大众文化形式的合法性,以确定它们是否具有足够的价值,值得进行文学分析。作者认为,许多流行文化形式值得仔细研究,尤其是通过文学视角,因为它们揭示了受众的文化、信仰和习俗。他认为,将大众文化纳入文学研究为文学研究提供了许多发展和发现的机会,但前提是必须认真实施。最后,本文探讨了为什么文学领域不愿意将大众文化作为文本来解读,以及学者们如何才能驾驭这种纳入,从而为文本下一个更有内涵的定义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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