“Boasa Hami Ingkon Gabe Sipangoloi?” Eksistensi Perempuan Batak Dalam Film Ngeri-Ngeri Sedap

Novita Grace Sitorus
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Abstract

Women existence is often in an ambiguous position. Women are sometimes acknowledged for their existence, but on the other hand they are also often looked down. The culture have a significant influence on understanding a woman's existence. One of them is in Batak culture, the hierarcy pattern between men and women is very thick with patrilineal elements and this is very detrimental to the existence of women in their lifes. Batak women's efforts to find their existence are often seen as a form of resistance to patriarchal culture. This is what ultimately results in women being asked to be 'obedient' figures in the sense of obeying all orders and even depending on men. This paper will look at how the existence of women in an existentialist feminist perspective, especially from Beauvoir's point of view. Existentialist feminists will dismantle the patrilineal element and reconstruct it so that the existence of women, especially Batak, is not always under the influence of men. Batak women also have the autonomous right to express opinions, to be heard, to be empowered and to dream their goals.Keywords: existence, feminist, patrilineal. 
"Boasa Hami Ingkon Gabe Sipangoloi?Ngeri-Ngeri Sedap 电影中巴塔克妇女的存在
妇女的存在往往处于一种模糊的地位。妇女的存在有时会得到承认,但另一方面,她们也常常被人瞧不起。文化对理解妇女的存在有着重要影响。其中之一就是在巴塔克文化中,男女之间的等级模式带有浓厚的父系色彩,这对妇女在生活中的存在非常不利。巴塔克妇女为寻求自身存在而做出的努力往往被视为对父权文化的一种反抗。这最终导致妇女被要求成为 "顺从 "的人物,即服从一切命令,甚至依赖男人。本文将从存在主义女权主义者的视角,尤其是波伏娃的视角,探讨女性的存在方式。存在主义女权主义者将瓦解父系因素并对其进行重构,从而使女性(尤其是巴塔克女性)的存在不再总是受男性的影响。巴塔克妇女也有表达意见、被倾听、被赋权和梦想自己目标的自主权。 关键词:存在、女权主义者、父系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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