{"title":"Social Change and Demythologization: (A Reading of Kuntowijoyo's Novels)","authors":"Chairil Effendy, Muhammad Asrori","doi":"10.14738/assrj.114.16924","DOIUrl":null,"url":null,"abstract":"This study attempts to read Kuntowijoyo's thoughts in five of his novels, namely Kereta Api yang Berangkat Pagi Hari (KAyBPH, 1966), Pasar (1972), Khotbah di Atas Bukit (KdAB, 1976), Mantra Pejinak Ular (MPU, 2000), and Wasripin dan Satinah (WS, 2003). Through heuristic and hermeneutic readings and analysis using a socio-historical approach, the following results were obtained. First, the five novels contain a common thread of relatively similar issues, namely social change. The first novel emphasizes social change in the village community in the post-war Sala region. It illustrates that the village community is still in the value system of \"guyub rukun\", although it has been infiltrated by the values of individualism. The second novel emphasizes social change with the setting of a market in Java. It depicts a society that is entering an era of madness (manners are violated, capital owners act exploitatively, government officials work at will); only those who are eling (remembering) and vigilant and understand the role of taste will survive life. The third novel emphasizes the social changes caused by development that is too physical, neglecting spiritual development, so that people lose their grip on life. The fourth novel emphasizes the social changes in the sub-district around Sala under the New Order regime. There is resistance from community members to the party's power, but it is subtle. Furthermore, in the last novel, social changes in the fishing community on the North Coast of Java under the New Order regime are also emphasized. The heavy pressure of socio-economic life gave birth to the myth of Ratu Adil. The treatment of the authoritarian regime was met with strong resistance: the community attacked and killed the security forces who engineered injustice. Secondly, socio-historically, the five novels show the development of problems in Indonesian society. Thirdly, all five novels show the details of the physical location of villages in Java, as well as the socio-cultural values of the people. Fourth, the novels show the author's response to the social life of Indonesian society from the beginning of independence to under the New Order regime.","PeriodicalId":92980,"journal":{"name":"Advances in social sciences research journal","volume":"16 62","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Advances in social sciences research journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14738/assrj.114.16924","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This study attempts to read Kuntowijoyo's thoughts in five of his novels, namely Kereta Api yang Berangkat Pagi Hari (KAyBPH, 1966), Pasar (1972), Khotbah di Atas Bukit (KdAB, 1976), Mantra Pejinak Ular (MPU, 2000), and Wasripin dan Satinah (WS, 2003). Through heuristic and hermeneutic readings and analysis using a socio-historical approach, the following results were obtained. First, the five novels contain a common thread of relatively similar issues, namely social change. The first novel emphasizes social change in the village community in the post-war Sala region. It illustrates that the village community is still in the value system of "guyub rukun", although it has been infiltrated by the values of individualism. The second novel emphasizes social change with the setting of a market in Java. It depicts a society that is entering an era of madness (manners are violated, capital owners act exploitatively, government officials work at will); only those who are eling (remembering) and vigilant and understand the role of taste will survive life. The third novel emphasizes the social changes caused by development that is too physical, neglecting spiritual development, so that people lose their grip on life. The fourth novel emphasizes the social changes in the sub-district around Sala under the New Order regime. There is resistance from community members to the party's power, but it is subtle. Furthermore, in the last novel, social changes in the fishing community on the North Coast of Java under the New Order regime are also emphasized. The heavy pressure of socio-economic life gave birth to the myth of Ratu Adil. The treatment of the authoritarian regime was met with strong resistance: the community attacked and killed the security forces who engineered injustice. Secondly, socio-historically, the five novels show the development of problems in Indonesian society. Thirdly, all five novels show the details of the physical location of villages in Java, as well as the socio-cultural values of the people. Fourth, the novels show the author's response to the social life of Indonesian society from the beginning of independence to under the New Order regime.
本研究试图从昆托维乔亚的五部小说中解读他的思想,这五部小说分别是:《Kereta Api yang Berangkat Pagi Hari》(KAyBPH,1966 年)、《Pasar》(1972 年)、《Khotbah di Atas Bukit》(KdAB,1976 年)、《Mantra Pejinak Ular》(MPU,2000 年)和《Wasripin dan Satinah》(WS,2003 年)。通过采用社会历史方法进行启发式和诠释式阅读与分析,得出以下结果。首先,五部小说包含一个相对相似的共同问题,即社会变革。第一部小说强调了战后萨拉地区乡村社区的社会变迁。它说明,尽管村社已被个人主义价值观渗透,但仍处于 "guyub rukun "的价值体系中。第二部小说以爪哇的一个市场为背景,强调了社会变革。它描绘了一个正在进入疯狂时代的社会(礼仪被践踏、资本所有者进行剥削、政府官员恣意妄为);只有那些有记忆力和警惕性、懂得品味的人才能生存下去。第三部小说强调了过于物质的发展而忽视精神的发展所带来的社会变迁,使人们失去了对生活的把握。第四部小说强调了新秩序政权下萨拉周边分区的社会变迁。社区成员对党的权力有所抵制,但这种抵制是微妙的。此外,最后一部小说也强调了新秩序政权下爪哇岛北海岸渔业社区的社会变迁。沉重的社会经济生活压力催生了 Ratu Adil 的神话。专制政权的待遇遭到了强烈的反抗:社区袭击并杀害了制造不公正的安全部队。其次,从社会历史角度看,五部小说展现了印尼社会问题的发展。第三,五部小说都展现了爪哇村庄的地理位置细节,以及人们的社会文化价值观。第四,这五部小说展现了作者对印尼从独立之初到新秩序政权下的社会生活的反应。