Hayao Miyazaki’s Pastoral Nostalgia:

Abigail Egger
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Abstract

In the post-war years, rapid industrialization in the name of economic recovery resulted in several Japanese environmental crises. A number of these crises were high profile and reported by new agencies and environmental activists on a national and international level. As a result, Japanese culture and media has been influenced by images of pollutions' effect on the body and developed into robust Japanese environmental movements and policies. This essay builds on the environmental analysis of Hayao Miyazaki's films, but offers a counter perspective arguing that the body horror of Princess Mononoke and Spirited Away is more representative of Japanese pastoral nostalgia (which suggests a feeling of cultural loss and a rejection of a possible return human-nature harmony) rather than pure environmentalism.
宫崎骏的田园乡愁
战后几年,以经济复苏为名的快速工业化导致了日本的几次环境危机。其中一些危机备受瞩目,新机构和环保活动家在国家和国际层面进行了报道。因此,日本的文化和媒体受到了污染对人体影响的图像的影响,并发展成为日本强有力的环保运动和政策。本文以宫崎骏电影的环境分析为基础,但提出了一个相反的观点,认为《幽灵公主》和《千与千寻》中的人体恐怖更能代表日本的田园怀旧(这表明了一种文化失落感和对可能回归人与自然和谐的拒绝),而不是纯粹的环保主义。
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