Collision with a Thing as a Collision with Other in G. Ayurzana’s Novel “Their Shadows are Taller Than Our Souls”

Mariia Petrova
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Abstract

Article examines the work by G. Ayurzana (b. 1970), one of the most popular and read authors in modern Mongolia. His creative range is very wide: from postmodernism to magical realism, from psychological detective stories to historical novels. In 2021, G. Ayurzana’s new novel “Their Shadows are Taller than Our Souls” (“Тэдний сүүдэр бидний сэтгэлээс урт”) was released. This time the author turned to science fiction genre. In Mongolia, classic science fiction works by J. Verne, A. Tolstoy, A. Azimov, S. Lem, and Strugatsky brothers have been translated and are popular among readers. In modern Mongolian literature this genre begins to develop in the 1940s 20thcentury. Fantastic ones include L. Tudev’s story “Eternal Flame (”Мөнхийн гал”), J. Gal’s novel “The Secret of the Crystal Mirror”(“Болортолийн нууц”), D. Darzha’s novel “Journey to Distant Worlds”(“Алс холын ертөнцөд жуулчилсан нь”). The title of G. Ayurzana’s novel is a quote from the famous hit of the British rock band Led Zeppelin “Stairway to Heaven”, which appeared in the 1970s. This is a deep philosophical text by Robert Plant about the illusory nature of our world, about vain hopes and unrealistic expectations. The bird — a black jackdaw with a red beak — becomes the center of the narrative in the novel “Their Shadows are Taller than Our Souls.” This is due, among other things, to the mythopoetic tradition of the nomads of Central Asia, which endowed birds with special properties. The image of a talking paper bird is present in the famous surgaal teaching of the poet and religious educator of the 19th century D. Ravzha (1803–1856). However, does the main character encounter a bird on the first page of the novel? No, the hero of the novel meets not with a living bird, but with a cybernetic organism created back in 1984 at the dawn of the microprocessor era in one of the scientific laboratories of the Soviet Union. From the moment a microchip is implanted into the brain, the bird becomes a cyborg, a thing, something else. The author directly raises the problem of otherness in the real world. The hero’s encounter with this thing — the encounter with the other — plays a key role in the entire fantasy novel.
G. Ayurzana 的小说 "他们的影子比我们的灵魂还高 "中与 "物 "的碰撞即是与 "他者 "的碰撞
文章探讨了现代蒙古最受欢迎、读者最多的作家之一 G. Ayurzana(生于 1970 年)的作品。他的创作范围非常广泛:从后现代主义到魔幻现实主义,从心理侦探小说到历史小说。2021年,阿尤尔扎纳的新作《他们的影子比我们的灵魂还高》(Тэдний сүдэр бидний сэтгэлэс урт)问世。這次作者轉向科幻體裁。在蒙古,凡爾納(J. Verne)、托爾斯泰(A. Tolstoy)、阿茲莫夫(A. Azimov)、萊姆(S. Lem)、斯特拉格茨基(Strugatsky)兄弟的經典科幻小說作品已被翻譯,並深受讀者喜愛。在现代蒙古文学中,这种体裁从 20 世纪 40 年代开始发展。在现代蒙古文学中,这一流派从 20 世纪 40 年代开始发展,其中最精彩的作品有:L. Tudev 的小说《永恒的火焰》(Мөнхийн гал)、J. Gal 的小说《水晶镜的秘密》(Болортолийн нууц)、D.达尔扎的小说《遥远世界之旅》("Алс холын ертөнцөд жуулчилсан нь")。G.阿尤尔扎纳的小说标题引用了英国摇滚乐队Led Zeppelin在20世纪70年代的名曲 "通往天堂的阶梯"。这是罗伯特-普朗特(Robert Plant)的一篇深刻的哲理文章,讲述了我们这个世界的虚幻本质、虚妄的希望和不切实际的期待。在小说《它们的影子比我们的灵魂还高》中,鸟儿--一只长着红色喙的黑色乌鸦--成为叙事的中心。这主要得益于中亚游牧民族的神话传统,即赋予鸟类特殊的属性。19 世纪诗人和宗教教育家达-拉夫扎(D. Ravzha,1803-1856 年)著名的苏尔加尔教义中就有会说话的纸鸟的形象。然而,主人公在小说的第一页就遇到了一只鸟吗?不,小说的主人公遇到的不是一只活生生的鸟,而是早在 1984 年微处理器时代到来之际,在前苏联的一个科学实验室里创造出来的一个控制论有机体。从大脑植入微型芯片的那一刻起,这只鸟就变成了半机械人,变成了一种东西,一种别的东西。作者直接提出了现实世界中的 "他者 "问题。主人公与这个东西的相遇--与他者的相遇--在整部奇幻小说中起着关键作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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