Representasi Perempuan dan Batik dalam Instagram Museum Batik Indonesia

Tanty Wulandari Putri
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Abstract

Women play a crucial role in human life. The figure of women often emerges in various cultural art products created by humans, showcasing their indispensable role in everyday life. Batik represents one of their creations, a symbol of hope within an artwork. This study employs quantitative content analysis, focusing on the official Instagram account of the Indonesian Batik Museum, @mbatik.in. Examining @mbatik.in posts from March 2021 to October 2023 (totaling 235 posts), data collection involved observation, documentation, and encoding. Reliability testing, executed with three coders using a set sample of 217 posts, unveiled predominant themes: the physical self-image aspect appeared 370 times (89.59%), psychic self-image aspect 43 times (10.41%), social image aspect concerning community relationships 344 times (83.29%), and family relationships 17.19%. Forms of representation encompassed Working Women (133 times - 33.84%), Women as Learners (123 times - 31.30%), Women Entertainers (19 times - 4.83%), Women as Male Companions (30 times - 7.63%), Imaginary Women (42 times - 10.69%), Women as Mothers (33 times - 8.40%), Women as Brides (9 times - 2.29%), and Women as Goddesses (4 times - 1.02%).
印度尼西亚蜡染博物馆 Instagram 上的妇女与蜡染形象
妇女在人类生活中扮演着至关重要的角色。妇女的形象经常出现在人类创造的各种文化艺术产品中,展示了她们在日常生活中不可或缺的作用。蜡染就是她们的创作之一,是艺术作品中希望的象征。本研究采用定量内容分析,重点关注印度尼西亚蜡染博物馆的官方 Instagram 账户 @mbatik.in。对 @mbatik.in 从 2021 年 3 月到 2023 年 10 月发布的帖子(共 235 篇帖子)进行了研究,数据收集包括观察、记录和编码。三位编码员使用 217 个帖子样本进行了可靠性测试,揭示了主要的主题:身体自我形象方面出现了 370 次(89.59%),心理自我形象方面出现了 43 次(10.41%),与社区关系有关的社会形象方面出现了 344 次(83.29%),家庭关系方面出现了 17.19%。表现形式包括职业女性(133 次,占 33.84%)、学习型女性(123 次,占 31.30%)、娱乐型女性(19 次,占 4.83%)、男性伴侣型女性(30 次,占 7.63%)、想象型女性(42 次,占 10.69%)、母亲型女性(33 次,占 8.40%)、新娘型女性(9 次,占 2.29%)和女神型女性(4 次,占 1.02%)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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