Armenian Cochineal and the Red Color of Armenia in Russian Literature

Shevket R. Keshfidinov, Eleonora Shafranskaya
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Abstract

The article examines the genesis of the red color, which acts as a pattern of the «Armenian text of Russian literature» on the basis of Russian poetic texts (B. Pasternak, F. Sologub, O. Mandelstam, N. Konchalovskaya, P. Antokolsky, I. Snegova, P. Pyanykh, L. Shahverdyan) and prose (B. Kuzin, O. Mandelstam, Yu. Karabchievsky, M. Saryan, V. Grossman). The subject of the article is the connection of the insect code presented in the discourse with the color red. Analytics is based on biographical, quantitative methods, linguistic analysis of the text and is carried out on the basis of a historical and cultural approach. The recent works that reveal the patterns of the «Armenian text» do not mention the connection between cochineal and red color metaphors found in this article. The conclusions obtained enrich the cultural and philological concept contained in the framework of the «Armenian text» and expand the poetic context of the biological organism mentioned in the poems of Russian poets. The article presents an additional (to the already existing) perspective in the analysis of O. Mandelstam's poem «Inside the mountain, an idol is inactive...»: the image of the idol is embedded in an ekphrastic sculptural row with the mythological Golem.
俄罗斯文学中的亚美尼亚胭脂红和亚美尼亚的红色
文章以俄罗斯诗歌文本(B. Pasternak、F. Sologub、O. Mandelstam、N. Konchalovskaya、P. Antokolsky、I. Snegova、P. Pyanykh、L. Shahverdyan)和散文(B. Kuzin、O. Mandelstam、Yu. Karabchievsky、M. Saryan、V. Grossman)为基础,研究了作为 "俄罗斯文学亚美尼亚文本 "模式的红色的起源。文章的主题是论述中呈现的昆虫代码与红色的联系。分析以传记、定量方法、文本语言分析为基础,以历史和文化方法为依据。近期揭示 "亚美尼亚文本 "模式的著作并未提及本文中发现的胭脂虫与红色隐喻之间的联系。所得出的结论丰富了 "亚美尼亚文本 "框架中所包含的文化和语言学概念,拓展了俄罗斯诗人诗歌中提及的生物有机体的诗歌语境。文章在分析奥-曼德尔施塔姆的诗歌 "山中,一尊神像在静止...... "时提出了一个额外的(已有的)视角:神像的形象与神话中的 "泥巨人"(Golem)一起被嵌入了一个 "ekphrastic "的雕塑行列中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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