The Screaming Thing: A Material Ecocritical Exploration of Trauma in Aleksandrs Pelēcis’s Poems

Q2 Arts and Humanities
Artis Ostups
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引用次数: 0

Abstract

This article investigates the intersection of trauma studies and new materialism, offering a fresh perspective on human trauma through the prism of nonhuman forces. Drawing inspiration from material ecocriticism, a paradigm that evolved from materialist and posthumanist ideas and has not yet been brought into contact with trauma studies, the article underscores the significance of considering the embodiment of experience, thus arriving at an extended notion of trauma. This new theoretical framework is tested by examining the testimonial poetry of Latvian writer Aleksandrs Pelēcis, who was deported to Siberia by Soviet authorities in 1946. His poems employ inanimate objects and animals to create metonymical and metaphorical connections between human and nonhuman actors within the context of long exile. By illuminating a shared experiential space, Pelēcis manages to project and diffract traumatic feelings and memories, thus making them more comprehensible to his readers. This, in turn, places trauma studies on a trajectory away from the traditional conceptualisation of the inexpressible and the awkward.
尖叫之物:对 Aleksandrs Pelēcis 诗歌中创伤的物质生态批评探索
本文探讨了创伤研究与新唯物主义的交叉点,通过非人类力量的棱镜为人类创伤提供了一个全新的视角。文章从物质生态批评(一种从物质主义和后人文主义思想发展而来、尚未与创伤研究相接触的范式)中汲取灵感,强调了考虑经验体现的重要性,从而得出一个扩展的创伤概念。通过研究拉脱维亚作家亚历山大-佩勒西斯(Aleksandrs Pelēcis)的见证诗歌,对这一新的理论框架进行了检验。他的诗歌运用无生命的物体和动物,在长期流放的背景下,在人类和非人类行为者之间建立起隐喻和隐喻联系。通过照亮一个共同的经验空间,佩勒西斯成功地投射和衍射了创伤情感和记忆,从而使读者更容易理解。这反过来又使创伤研究摆脱了无法表达和尴尬的传统概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Respectus Philologicus
Respectus Philologicus Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
31
审稿时长
12 weeks
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