The concept of performative national identity: the theoretical methodological framework

M. Snegur
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Abstract

   Modern social and political changes emphasize the particular relevance of the problem of forming national identity in the context of often contradictory sociocultural processes. Leveling out negative social phenomena that exploit the category of national identity and developing its potential for the formation of civic values and harmonization of interethnic relations in Russian society necessitates a deep understanding of this phenomenon, which is considered primarily as a result of its construction by social institutions.   However, this process also takes the form of assimilation of elements of nation-building, passed through the filters of personal attitudes, representation of individual national identity in various social situations, which constitutes the problem of this research.   Based on the study of theoretical data, the author proposed a category of performative national identity based on the application of the approaches of social constructivism and symbolic interactionism. The methods of theoretical research were theoretical analysis and synthesis, induction and modeling. As a result, the category of performative national identity has been developed, which includes technologies, features, resources for construction and conscious and unconscious representation of national identity in everyday practices. The results of the research develop the theory and methodology of constructing national identity, expand the understanding of the process of formation of national identity as a result of the assimilation of collective memory through the prism of personal attitudes, and also allow us to study the features of the representation of national identity in various situations from the point of view of the dramaturgical approach.
表演性国家认同概念:理论方法框架
现代社会和政治变革凸显了在往往相互矛盾的社会文化进程中形成民族认同问题的特殊意义。要消除利用民族特性的负面社会现象,开发其在俄罗斯社会中形成公民价值观和协调民族间关系的潜力,就必须深刻理解这一现象,并将其视为社会机构构建民族特性的主要结果。 然而,这一过程也采取同化民族建设要素的形式,通过个人态度的过滤、个人民族身份在各种社会情境中的表现,构成了本研究的问题。 基于对理论数据的研究,作者在应用社会建构主义和符号互动主义方法的基础上,提出了表演性国家认同的范畴。理论研究的方法是理论分析与综合、归纳与建模。因此,作者提出了 "表演性国家认同 "这一范畴,其中包括技术、特征、构建资源以及在日常实践中有意识和无意识地表现国家认同。研究成果发展了构建国家认同的理论和方法,拓展了对国家认同形成过程的理解,这一过程是通过个人态度棱镜同化集体记忆的结果,同时也使我们能够从戏剧方法的角度研究国家认同在各种情况下的表征特征。
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