A Critical Discourse Analysis of the Civil Judgment of “The Besieged City” Copyright Infringement Case

Qing Ren
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Abstract

Based on Fairclough’s three-dimensional model, this paper sets out to give a critical discourse analysis of the civil Chinese judgment of“The Besieged City”Copyright Infringement Case by adopting a descriptive and explanatory approach. This study analyzes the main linguistic manifestations of power asymmetries in the language of a civil judgment and investigates how the power relations among different participants are shown in the social court context. It is found that address forms, formal words, nominalization, modality, imperatives and ellipsis are the main linguistic manifestations of power asymmetries among court participants. The interpretation and explanation of the situational court context manifests to a certain extent the encoding power relations, and such social structure of power relations help shape the discourse of judgment, and the discourse itself reinforces the enactment of the power relations. It is hoped that the findings of the present research may provide legal professions with new insights into drafting and reading judgments and provide reference for legal laypersons to have a critical understanding of civil judgments whenever they become a reader of this kind of judicial genre.
围城》著作权侵权案民事判决的批判性话语分析
本文以费尔克拉夫的三维模型为基础,采用描述和解释的方法,对 "围城 "著作权侵权案的中国民事判决进行批判性话语分析。本研究分析了民事判决语言中权力不对称的主要语言表现,并探讨了不同参与者之间的权力关系在社会法庭语境中的表现。研究发现,称呼形式、形式词、名词化、语态、祈使句和省略句是法院参与者之间权力不对称的主要语言表现形式。对法庭情境的解释和说明在一定程度上体现了权力关系的编码,这种权力关系的社会结构有助于形成判决话语,而话语本身又强化了权力关系的制定。希望本研究的结论能为法律界人士提供起草和阅读判决书的新启示,也为法律外行人在阅读民事判决书这类司法文体时对其进行批判性理解提供参考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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