Trish Van Bolderen, Hugh Hazelton, Alejandro Saravia
{"title":"Trilingual Literary Self-Translation: An Interview with Two Montreal Writers, Hugh Hazelton and Alejandro Saravia","authors":"Trish Van Bolderen, Hugh Hazelton, Alejandro Saravia","doi":"10.1163/2667324x-20240108","DOIUrl":null,"url":null,"abstract":"\nIn addition to being multilingual writers who have made their home in Montreal, Hugh Hazelton and Alejandro Saravia have both chosen to translate a certain number of their own writings and—unlike most self-translators—to incorporate three languages (English, French and Spanish) into their practice. This interview explores a number of questions related to Hazelton’s and Saravia’s experiences with trilingual self-translation. In responding to these questions, the writers also reflect on key people, books and circumstances that influenced their linguistic and cultural attachments; ways that language, place and identity intersect; perceived distinctions and similarities between authoring, self-translation and allograph translation; and obstacles facing the contemporary publishing industry, within Canada and beyond.","PeriodicalId":484139,"journal":{"name":"Journal of Literary Multilingualism","volume":"26 9","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Literary Multilingualism","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.1163/2667324x-20240108","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In addition to being multilingual writers who have made their home in Montreal, Hugh Hazelton and Alejandro Saravia have both chosen to translate a certain number of their own writings and—unlike most self-translators—to incorporate three languages (English, French and Spanish) into their practice. This interview explores a number of questions related to Hazelton’s and Saravia’s experiences with trilingual self-translation. In responding to these questions, the writers also reflect on key people, books and circumstances that influenced their linguistic and cultural attachments; ways that language, place and identity intersect; perceived distinctions and similarities between authoring, self-translation and allograph translation; and obstacles facing the contemporary publishing industry, within Canada and beyond.