'Neem mijn ei, eet ervan en vergeet mij niet'

Deborah De Koning, F. Bosman
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引用次数: 0

Abstract

This article analyzes Christian liturgical elements in the performance Herinner ons [Remember us] as a case study to illustrate the relevance of interperformativity and intertextuality in contemporary climate performance art. The theatrical farewell ceremony, staged by Gouden Haas in 2023, invites the audience to become part of an inclusive ecological community. This invitation incorporates various Christian liturgical elements adapted for the occasion, capitalizing on the ritual repertoire of existing (religious) traditions modified to address the current theme of the climate crisis. Using Herinner ons as a case study, this article argues that intertextuality and interperformativity are relevant in the process of meaning-making prompted by the current climate crisis. In this process, existing liturgical and ritual practices undergo transformation, acquiring new forms and meanings in response to the challenges posed by the climate crisis.
拿着我的蛋,吃了它,别忘了我
本文以 "记住我们"(Herinner ons)表演中的基督教礼仪元素为案例进行分析,以说明跨表演性和互文性在当代气候表演艺术中的相关性。由 Gouden Haas 于 2023 年上演的戏剧告别仪式邀请观众成为一个包容性生态社区的一部分。这一邀请融合了各种基督教礼仪元素,利用现有(宗教)传统的仪式曲目进行改编,以应对当前的气候危机主题。本文以赫里纳斯为案例,论证了互文性和互演性在当前气候危机所引发的意义生成过程中的相关性。在这一过程中,现有的礼仪和仪式实践发生了转变,获得了新的形式和意义,以应对气候危机带来的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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