{"title":"Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art","authors":"David A. Gerstner","doi":"10.3366/film.2024.0271","DOIUrl":null,"url":null,"abstract":"Film-Philosophy, Volume 28, Issue 2, Page 322-349, June, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"115 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film-Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/film.2024.0271","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}