QUE LEE CRISTINA RIVERA GARZA Y QUIEN LA LEE: EL INTERTEXTO EN LAS AULAS

Margens Pub Date : 2024-01-27 DOI:10.18542/rmi.v17i29.14981
I. Pardo
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引用次数: 0

Abstract

This article addresses the work of Cristina Rivera Garza (Matamoros, Tamaulipas, 1964) regarding the intertext (Mendoza) that it is possible to work in Primary and Secondary classrooms. We focus on poetry because most of the research on it ignores it in favor of narrative. For this reason, we consider it essential to vindicate the literary genre that allows us to learn in the classroom from the references that influence the author of La muerte me da (2007) and El disco de Newton (2011). We will start from such books to observe the readings that consolidate her writing and, at the same time, the imprint they exert on recent promotions (Higashi) in Mexico, such as Sara Uribe or Verónica Gerber; or in Spain, María Ángeles Pérez López.
谁读克里斯蒂娜-里维拉-加尔萨和谁读她:教室里的互文
本文论述了克里斯蒂娜-里维拉-加尔萨(Cristina Rivera Garza,塔毛利帕斯州马塔莫罗斯市,1964 年)关于互文(门多萨语)的研究成果,认为互文可以在小学和中学课堂上使用。我们把重点放在诗歌上,因为大多数关于诗歌的研究都忽略了诗歌,而倾向于叙事。因此,我们认为有必要为这一文学体裁平反,使我们能够在课堂上从影响《La muerte me da》(2007 年)和《El disco de Newton》(2011 年)作者的参考文献中学习。我们将从这两本书入手,观察巩固其写作的读本,同时观察这些读本对最近在墨西哥推广的作品(东)所产生的影响,如萨拉-乌里韦(Sara Uribe)或维罗妮卡-格尔伯(Verónica Gerber);或西班牙的玛丽亚-安赫尔斯-佩雷斯-洛佩斯(María Ángeles Pérez López)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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