Metaphors and masculine language as breaking female stereotypes in dangdut songs lyrics with vulgar content

Dewi Kusumaningsih, Malika Dhita Shalaika, Farida Nugrahani, Jimat Susilo
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Abstract

Masculine refers to a specific construction of masculinity that is targeted towards men. Men do not inherently possess masculine traits; instead, masculinity is moulded by cultural influences. The association of masculinity with gender stereotypes in Indonesia arises from a subjective misunderstanding of the qualities of a particular group. Song lyrics containing explicit content, particularly those portraying women in derogatory or overly sexualised ways, might contribute to the establishment and perpetuation of detrimental gender stereotypes. The objective of this study is to examine the manifestation of masculinity in the explicit lyrics of dangdut songs and explore their potential to challenge gender stereotypes associated with women. This study uses a content analysis methodology to deconstruct the symbolic significance of masculine language in music lyrics. Data is collected with songs picked based on three factors (kind of music, song words, and song aspect). The music included are dangdut songs, specifically the three most widely circulated songs in 2023. The selected song lyrics consist of words, phrases, and sentences employed in a vulgar manner. The utilised aspects pertain to masculine attributes, gender-based archetypes, explicit content in song lyrics, and metaphoric expressions. Data analysis procedures carried out using qualitative data analysis approaches might include flexibility. Dangdut employs explicit content as a means of challenging gender norms using a qualitative descriptive method. The research findings indicate that the filthy dangdut songs titled "Ngidam Pentol," "Becekin Adek Bang," and "Jagung Rebus" exhibit different expressions of feminine masculinity. These expressions can be observed through the symbolic significance of the song lyrics, specifically in the form of sulking due to unfulfilled ambitions. Women engage in sexual activity with males, therefore challenging the idea that women are meek, courteous, and well-behaved.
用隐喻和男性语言打破含有粗俗内容的当 嘟歌曲歌词中的女性定型观念
男子气概指的是针对男性的一种特定的男性气质构建。男性并非天生就具有男性特质,相反,男性气质是受文化影响而形成的。在印度尼西亚,男性气质与性别陈规定型观念的联系源于对特定群体品质的主观误解。含有露骨内容的歌词,尤其是以贬损或过度性化的方式描绘女性的歌词,可能会助长有害的性别刻板印象的建立和延续。本研究的目的是研究当杜特歌曲露骨歌词中男性气质的体现,并探索其挑战与女性相关的性别刻板印象的潜力。本研究采用内容分析法来解构歌词中男性语言的象征意义。收集的数据是根据三个因素(音乐种类、歌词和歌曲方面)挑选的歌曲。所选音乐均为 dangdut 歌曲,特别是 2023 年流传最广的三首歌曲。所选歌词包括以低俗方式使用的词、短语和句子。使用的方面涉及男性属性、基于性别的原型、歌词中的明确内容和隐喻表达。使用定性数据分析方法进行的数据分析程序可能包括灵活性。Dangdut 采用了定性描述法,将明确的内容作为挑战性别规范的一种手段。研究结果表明,名为 "Ngidam Pentol"、"Becekin Adek Bang "和 "Jagung Rebus "的污秽的当杜特歌曲展示了女性男性气质的不同表达方式。这些表现形式可以从歌词的象征意义中观察到,特别是因抱负未实现而生闷气的形式。女性与男性发生性关系,因此挑战了女性温顺、有礼貌和乖巧的观念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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