FEMINISM IN THE MUSICAL LANDSCAPE OF NORTH- EAST INDIA: AN IN-DEPTH ANALYSIS

Samidha Vedabala
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Abstract

This research explores the intricate interplay between feminism and the musical landscape of North-east India, focusing on the state of Assam, Sikkim, and Meghalaya, delving into both traditional and contemporary expressions. In the region known for its diverse cultures, the study aims to elucidate the place of women in traditional music, analyze the representation of women in contemporary genres, and the feminist that are prevalent in the North-east Indian music tradition and industry. Through ethnographic fieldwork, interviews, and a comparative analysis of gender dynamics in the industry, the research seeks to uncover the ways in which music acts as a conduit for challenging and reshaping societal perceptions of gender roles. The findings aim to contribute to the global discourse on feminism in music while providing nuanced insights into the unique cultural context of North-east India. This research not only adds to academic knowledge but also holds practical implications for fostering gender equality and empowerment within the regional music scene.
印度东北部音乐景观中的女性主义:深入分析
本研究探讨了女性主义与印度东北部音乐景观之间错综复杂的相互作用,重点关注阿萨姆邦、锡金邦和梅加拉亚邦,深入研究传统和现代表现形式。在这个以多元文化著称的地区,本研究旨在阐明女性在传统音乐中的地位,分析女性在当代音乐流派中的代表性,以及印度东北部音乐传统和产业中盛行的女权主义。通过人种学实地调查、访谈以及对行业中性别动态的比较分析,本研究试图揭示音乐作为挑战和重塑社会性别角色观念的渠道的方式。研究结果旨在为全球关于音乐中的女权主义的讨论做出贡献,同时为印度东北部独特的文化背景提供细致入微的见解。这项研究不仅丰富了学术知识,而且对促进该地区音乐界的性别平等和赋权具有实际意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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