Classification of subject-spatial models of modern innovative poetry: variants and functional characteristics

Elena E. Andreyanova
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Abstract

In modern innovative Russian poetry, one of the key problems is the question of the interaction of the concepts “subject” and “space”, as well as the question of ways to rethink their semantic and functional content. As one of the variants of the compositional and stylistic analysis of the poetic text, we have proposed the concept of a subject-spatial model – a conditional image of the concepts “subject” and “space”, which serves to determine the relationship between them and the specifics of their functioning in the author’s poetics. This article discusses the models functioning in the texts of Kirill Korchagin, Galina Rymbu, Nikita Safonov and Yevgeniya Suslova, the classification of models is considered on several grounds: the number of model elements, the specifics of the relations between them and the forms of interaction. It is noted that the models functioning in the texts of the authors studied are multi-basic, each of them has a set of different parameters characterising the relationship between the elements from different points of view, which allows us to consider the specifics of the subject-spatial organisation of the text as a complex structure that reveals the semantic and stylistic features of poetics. The article concludes that the interaction of concepts is based on diffusion and interference, meanwhile the semantics of the subject and space become more complicated – the authors approach their understanding from a philosophical and pragmatic point of view. In addition, the article discusses the issue of trends in the development of subject-spatial relations in innovative Russian poetry.
现代创新诗歌主题空间模式的分类:变体和功能特征
在俄罗斯现代创新诗歌中,关键问题之一是 "主体 "和 "空间 "这两个概念的相互作用,以及如何重新思考它们的语义和功能内容。作为对诗歌文本进行构成和文体分析的变体之一,我们提出了 "主体-空间模型 "的概念--"主体 "和 "空间 "概念的条件图像,用于确定它们之间的关系以及它们在作者诗学中的具体功能。本文讨论了在基里尔-科尔恰金、加琳娜-龙布、尼基塔-萨福诺夫和叶夫根尼娅-苏斯洛娃的作品中发挥作用的模式,并从几个方面考虑了模式的分类:模式元素的数量、它们之间关系的具体情况以及相互作用的形式。我们注意到,在所研究的作者文本中起作用的模式是多基本模式,每个模式都有一组不同的参数,从不同的角度描述元素之间的关系,这使我们能够将文本的主题空间组织的具体情况视为一个复杂的结构,揭示诗学的语义和文体特征。文章的结论是,概念的相互作用是以扩散和干扰为基础的,与此同时,主体和空间的语义也变得更加复杂--作者从哲学和实用主义的角度进行了理解。此外,文章还讨论了俄罗斯创新诗歌中主体与空间关系发展的趋势问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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