Angara Style Rock Art: The Evolution of a Regional Emblematic and Syncretic Style

IF 1.6 2区 历史学 0 ARCHAEOLOGY
Lynda D. McNeil
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引用次数: 0

Abstract

Rebutting previous claims, the paper employs comparative stylistic analysis and palaeoenvironmental data to argue that Angara style rock art originated in the Mongolian Altai during the Upper Palaeolithic (13,000–10,300 bp) where it evolved in situ. Around 8200–7300 bp, drought forced the hunter-gatherers who created Angara style rock art to migrate to the Upper Yenisey and the Selenga and Angara basins. When drought impacted that area c. 7500–7000 bp, Kotoi (Ket) culture descendants sought refuge in the resource-rich Minusinsk Basin. On the Middle Yenisey River, Angara style rock art served as a mnemonic device that encoded the syncretism of proto Ket and Evenki cosmologies and beliefs resulting from their social alliance.

安加拉风格的岩石艺术:地区标志性和同步风格的演变
本文采用比较风格分析和古环境数据,论证了安加拉风格岩画起源于上旧石器时代(13,000-10,300 bp)的蒙古阿尔泰,并在那里就地演变,从而驳斥了之前的说法。大约在公元前 8200-7300 年,干旱迫使创造安加拉风格岩画的狩猎采集者迁移到上叶尼塞河、色楞格河和安加拉河流域。约公元前 7500-7000 年,干旱影响了这一地区,Kotoi(凯特)文化的后裔便到资源丰富的米努辛斯克盆地避难。在叶尼塞河中游,安加拉风格的岩画是一种记忆工具,它记录了原凯特人和埃文基人因社会联盟而产生的宇宙观和信仰的融合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
3.30
自引率
8.30%
发文量
38
期刊介绍: The Cambridge Archaeological Journal is the leading journal for cognitive and symbolic archaeology. It provides a forum for innovative, descriptive and theoretical archaeological research, paying particular attention to the role and development of human intellectual abilities and symbolic beliefs and practices. Specific topics covered in recent issues include: the use of cultural neurophenomenology for the understanding of Maya religious belief, agency and the individual, new approaches to rock art and shamanism, the significance of prehistoric monuments, ritual behaviour on Pacific Islands, and body metamorphosis in prehistoric boulder artworks. In addition to major articles and shorter notes, the Cambridge Archaeological Journal includes review features on significant recent books.
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