Typological similarities in the lyrical works “The Prisoner to the Butterfly That Flew into His Dungeon” by V. A. Zhukovsky and “The Prisoner of Chillon” by G. G. Byron

V. N. Oksenchuk
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Abstract

The aim of the research is to detect typological similarities in the works of V. A. Zhukovsky and G. G. Byron at the level of the images of the main characters, as well as the spatial-temporal organization of the text, with particular attention to the category of “liberation”. The research material includes lyrical works “The Prisoner to the Butterfly That Flew into His Dungeon” (1813) and “The Prisoner of Chillon” (1816). Comparative studies have already noted the contact links and typological similarities between the creative works of V. A. Zhukovsky and G. G. Byron, but a comparative analysis to identify and study parallels on different levels of the text has not been conducted yet, and this in turn determines the research novelty of the present study. For the first time, an analysis of the texts is presented at the level of characters, themes (prison, prisoner, impossibility of liberation), and spatial-temporal characteristics. The article thoroughly examines the interaction of the two lyrical works at the plot and imagery levels. The basis for examination comprises common elements of plots and motifs, similarities and differences in the images of central characters. The result of the research is that, despite the authorship of the authors belonging to the same literary movement (Romanticism), not only similarities in the realization of such images and situations are observed, but also significant differences. The comparative categories will include: the image of the hero, space and time, the image of freedom, liberation, prison. The identified connections and similarities indicate a literary contact between the authors and literatures, revealing the specifics of contact relationships and typological similarities in the works of V. A. Zhukovsky and G. G. Byron.
瓦-阿-茹科夫斯基的抒情作品《飞入地牢的蝴蝶的囚徒》和格-格-拜伦的《希永的囚徒》在类型学上的相似之处
研究的目的是发现弗-阿-茹科夫斯基和格-格-拜伦作品在主要人物形象以及文本的时空组织方面的类型学相似性,尤其关注 "解放 "这一范畴。研究材料包括抒情作品《飞入地牢的蝴蝶的囚徒》(1813 年)和《希永的囚徒》(1816 年)。比较研究已经注意到弗-阿-茹科夫斯基和格-格-拜伦的创作之间的联系和类型学上的相似性,但在文本的不同层面上识别和研究相似性的比较分析尚未进行,这反过来又决定了本研究的研究新颖性。本文首次从人物、主题(监狱、囚犯、解放的不可能)和时空特征等层面对文本进行分析。文章深入研究了两部抒情作品在情节和意象层面的互动关系。研究的基础包括情节和主题的共同要素、中心人物形象的异同。研究结果表明,尽管作者属于同一文学运动(浪漫主义),但在实现这些形象和情节方面不仅存在相似之处,也存在显著差异。比较类别包括:英雄形象、空间和时间、自由形象、解放、监狱。所发现的联系和相似之处表明了作者和文学之间的文学联系,揭示了维-阿-茹科夫斯基和格-格-拜伦作品中联系关系的具体情况和类型学上的相似之处。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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