Una mitologia alpina

ArchAlp Pub Date : 2024-03-19 DOI:10.30682/aa2311c
L. Ortelli
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引用次数: 0

Abstract

This text superimposes a seemingly random geometry over certain locations in the Alpine massifs, one that is certainly reductive and debatable, yet still connected to an evident modern unease. Over a period of a few decades, from the end of the 19th century to the early decades of the 20th century, some Alpine locations have been home to significant events and figures in the arts and culture, defining a concentrated itinerary in a relatively limited area. The figures introduced here carry ideas and embody forces far from the commonplaces that accompany our perception of the mountains and the more widespread image assigned to them. In this sense, it is also possible to approach the theme from Alpine iconography, whether it be the work of great artists, attempts at scientific representation or the simplest popular depictions. The protagonists of these itineraries are, indeed, directly linked to different ways of representing the mountain.
阿尔卑斯神话
这篇文字在阿尔卑斯山脉的某些地点叠加了一个看似随机的几何图形,这个几何图形当然是还原的、值得商榷的,但仍然与明显的现代不安有关。从 19 世纪末到 20 世纪初的几十年间,阿尔卑斯山的一些地方一直是艺术和文化领域重要事件和人物的发生地,在相对有限的区域内形成了一个集中的路线。这里介绍的这些人物所承载的思想和体现的力量,与我们对山脉的认知以及赋予山脉的更广泛的形象相去甚远。从这个意义上说,我们也可以从阿尔卑斯山的图标入手,无论是伟大艺术家的作品、科学表现的尝试,还是最简单的通俗描绘。事实上,这些路线的主角与表现高山的不同方式直接相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
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发文量
14
审稿时长
12 weeks
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