Attorno all’altare. La chiesetta alpina di Ettore Sottsass senior sul Monte Bondone

ArchAlp Pub Date : 2024-03-19 DOI:10.30682/aa2311f
Fabio Campolongo
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Abstract

Ettore Sottsass Sr., an architect from Trentino who survived the First World War, left an enduring mark on the mountainous landscape of Monte Bondone. In the aftermath of the war, he undertook various architectural projects, including an alpine chapel in Vanéze in 1929. Funded by a spontaneous committee, the church stands as a testament to the communal sharing and gratitude among those who endured the war, and enjoyed a unique freedom in its construction as it was not commissioned by any diocese or parish. The octagonal structure, characterised by shingle roofing and pristine white walls, pays homage to Christian traditions while providing a serene haven amidst the mountains. The chapel’s interior design, including the arrangement of the altar and other spaces, demonstrates the architect’s modern vision that surprisingly anticipates the liturgical reforms of the Second Vatican Council. Surrounded by breathtaking mountain vistas, the construction remains a symbol of consecration and contemplation, even though the planned bell tower conceived by Sottsass in 1952 as a final act of re-consecration for the beloved mountain was never realized. The story of Sottsass and his chapel reflects the delicacy of “architectures drawn slowly, with attention and wisdom” which are necessary to avoid bringing harm to the mountains.
祭坛周围:埃托雷-索特萨斯老人的邦多内山阿尔卑斯教堂
老艾托里-索特萨斯(Ettore Sottsass Sr.)是一位来自特伦蒂诺的建筑师,他在第一次世界大战中幸存下来,并在邦多内山(Monte Bondone)的山区风景中留下了永恒的印记。这座教堂由一个自发成立的委员会出资建造,是经历过战争的人们共同分享和感恩的见证,由于未受任何主教区或教区委托,因此在建造过程中享有独特的自由。教堂为八角形结构,屋顶为木瓦,墙壁为纯白色,在向基督教传统致敬的同时,也为山区提供了一个宁静的避风港。小教堂的内部设计,包括祭坛和其他空间的布置,都体现了建筑师的现代理念,令人惊讶地预见到了梵蒂冈第二次大公会议的礼仪改革。尽管索特萨斯在 1952 年曾计划建造一座钟楼,作为对这座挚爱山峰的最后再献礼,但这一计划从未实现。索特萨斯和他的小教堂的故事反映了 "用心和智慧慢慢绘制的建筑 "的精妙之处,而这种精妙之处是避免对山脉造成伤害所必需的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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