Contributors

IF 0.8 2区文学 0 LITERATURE

New Literary History Pub Date : 2024-03-12 DOI:10.1353/nlh.2024.a922190

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Abstract

In lieu of an abstract, here is a brief excerpt of the content:

Contributors

Eric Bulson is Andrew W. Mellon All-Claremont Chair in the Humanities in the Department of English at Claremont Graduate University. He is the author, most recently, of ‘Ulysses’ by Numbers (2020).

Debjani Ganguly is Professor of English at the University of Virginia. She is the author of Caste, Colonialism and Counter-Modernity (2005) and This Thing Called the World: The Contemporary Novel as Global Form (2016), and editor of the two-volume Cambridge History of World Literature (2021). She is also the general editor, with Francesca Orsini, of the book series Cambridge Studies in World Literature.

Ben Glaser is Associate Professor of English at Yale University. His work appears in ELH, PMLA, Victorian Poetry, modernism/modernity, and other venues. He is the author of Modernism’s Metronome: Meter and Twentieth-Century Poetics (2020), and coeditor with Jonathan Culler of Critical Rhythm (2019).

Rachel Greenspan is a psychoanalyst in private practice in New York. Her research explores global histories of psychoanalytic theory, practice, and pedagogy. Her recent work has appeared in Parapraxis, The International Journal of Psychoanalysis, and differences: A Journal of Feminist Cultural Studies.

Christina Lupton is Professor of Literary and Cultural Studies at the University of Copenhagen, author of Reading and the Making of Time in the Eighteenth Century (2018) and Love and the Novel (2022) and coauthor of Reading Novels During the Covid-19 Pandemic (2023). Her current project is Paid Leaves: Writing a Life Around 1968.

Gerard Passannante is Professor of English and Comparative Literature at the University of Maryland, College Park. He is the author of The Lucretian Renaissance: Philology and the Afterlife of Tradition (2011) and Catastrophizing: Materialism and the Making of Disaster (2019).

Nathan TeBokkel is a literary scholar, beekeeper, and melon farmer. He recently finished his PhD at the University of British Columbia, where his research was generously supported by the Vanier and Killam doctoral scholarships.

Nancy Yousef is Professor of English at Rutgers University. She is the author of Isolated Cases (2004), Romantic Intimacy (2013), and The Aesthetic Commonplace (2022). She is currently at work on Thinking in Words: Undisciplined Readings in Modern Philosophy.

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贡献者

以下是内容的简要摘录，以代替摘要：撰稿人埃里克-布尔森是克莱蒙特研究生大学英语系安德鲁-W-梅隆全克莱蒙特人文讲座教授。他的最新著作是《数字 "尤利西斯"》（2020 年）。Debjani Ganguly 是弗吉尼亚大学英语系教授。她著有《种姓、殖民主义与反现代性》（Caste, Colonialism and Counter-Modernity）（2005 年）和《这东西叫世界》（This Thing Called the World）：作为全球形式的当代小说》（2016 年），以及两卷本《剑桥世界文学史》（2021 年）的编辑。她还与弗朗西斯卡-奥尔西尼（Francesca Orsini）共同担任《剑桥世界文学研究》丛书的总编辑。Ben Glaser 是耶鲁大学英语系副教授。他的作品散见于《ELH》、《PMLA》、《维多利亚诗歌》、《现代主义/现代性》等刊物。他著有《现代主义的节拍器》（Modernism's Metronome：他著有《现代主义的节拍器：节拍与二十世纪诗学》（Meter and Twentieth-Century Poetics，2020 年），并与乔纳森-库勒（Jonathan Culler）合编了《批判节奏》（Critical Rhythm，2019 年）。雷切尔-格林斯潘（Rachel Greenspan）是纽约的一名私人心理分析师。她的研究探索精神分析理论、实践和教学法的全球历史。她的近期作品发表在《Parapraxis》、《国际精神分析杂志》和《差异》上：女权主义文化研究期刊》。克里斯蒂娜-鲁普顿（Christina Lupton）是哥本哈根大学文学与文化研究教授，著有《十八世纪的阅读与时间创造》（2018 年）和《爱与小说》（2022 年），合著有《科维德-19 大流行期间的小说阅读》（2023 年）。她目前的项目是《付叶》：书写 1968 年前后的生活》。杰拉德-帕萨南特是马里兰大学学院帕克分校的英语和比较文学教授。他著有《卢克莱修文艺复兴》（The Lucretian Renaissance）：Philology and the Afterlife of Tradition》（2011 年）和《Catastrophizing：唯物主义与灾难的制造》（2019 年）。内森-特博克尔是一位文学学者、养蜂人和瓜农。他最近完成了不列颠哥伦比亚大学的博士学位，其研究得到了瓦尼埃和基拉姆博士奖学金的慷慨资助。南希-尤瑟夫是罗格斯大学英语系教授。她著有《孤立的案例》（Isolated Cases，2004 年）、《浪漫的亲密关系》（Romantic Intimacy，2013 年）和《审美的平凡》（The Aesthetic Commonplace，2022 年）。她目前正在撰写《用语言思考》（Thinking in Words）：现代哲学的非学科阅读》。Copyright © 2024 New Literary History ...

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来源期刊

New Literary History LITERATURE-

CiteScore

1.50

自引率

11.10%

发文量

期刊介绍： New Literary History focuses on questions of theory, method, interpretation, and literary history. Rather than espousing a single ideology or intellectual framework, it canvasses a wide range of scholarly concerns. By examining the bases of criticism, the journal provokes debate on the relations between literary and cultural texts and present needs. A major international forum for scholarly exchange, New Literary History has received six awards from the Council of Editors of Learned Journals.