FENOMENA KEMATIAN DALAM HIKAYAT RAJA JUMJUMAH: Sebuah Analisis Semiotika-Pragmatis Charles Morris

Maman Abdul Jalil
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Abstract

Hikayat Raja Jumjumah is a classic Malay literary work with a religious theme which contains signs of an interesting readership and receives responses, both domestically and abroad. The purpose of this study is to reveal the description of the meaning of "life" after death through signs in the Hikayat Raja Jumjumah, and the phenomena regarding death in the Hikayat Raja Jumjumah. This study uses semiotic-pragmatic theory of  Charles Morris.. This is based on the fact that literary works are a system of meaningful signs and these signs only gain meaning if they are given meaning by the reader. The method used in this study is related to semiotic-pragmatic theory. At the semiotic level, the center of meaning or the key word lies in "life" after death in the Hikayat Raja Jumjumah. While at the pragmatic level it is used to reveal the phenomenon of death based on the results of the meaning of "life" after death in the Hikayat Raja Jumjumah. The results of the study show that the view of death in the Hikayat Raka Jumjumah is based on an Islamic perspective. The Islamic view of death is based on the Al-Quran and Hadith, which state that after death there is life, namely the hereafter. The meaning of "life" after death through signs in the Hikayat Raja Jumjumah is the event of death, the grave, the torment of hell, and regret. The results of this interpretation are the basis for uncovering the phenomenon of death in the Hikayat Raja Jumjumah. The phenomena of death that can be revealed in Hikayat Raja Jumjumah are: (a) the phenomenon of death in the event of death related to death, namely suul khatimah; (b) the phenomenon of death in the grave, namely the torment of the grave; and (c) the phenomenon of death in the torment of hell, namely the recompense for those who commit sins in the world in the form of a very terrible punishment in hell. Keywords: phenomenon; Raja Jumjumah saga; life; death; script
HIKAYAT RAJA JUMJUMAH 中的死亡现象:查尔斯-莫里斯的语义-语用分析
Hikayat Raja Jumjumah》是一部以宗教为主题的经典马来文学作品,其中包含了有趣的读者迹象,在国内外都引起了反响。本研究旨在揭示《Hikayat Raja Jumjumah》中通过符号对死后 "生命 "意义的描述,以及《Hikayat Raja Jumjumah》中有关死亡的现象。本研究采用了查尔斯-莫里斯的符号学-实用主义理论。该理论基于这样一个事实,即文学作品是一个有意义的符号系统,只有读者赋予这些符号以意义,它们才能获得意义。本研究采用的方法与符号学-语用学理论有关。在符号学层面,意义的中心或关键词在于《Hikayat Raja Jumjumah》中死后的 "生命"。而在语用学层面,则是根据《Hikayat Raja Jumjumah》中死后 "生命 "含义的结果来揭示死亡现象。研究结果表明,Hikayat Raka Jumjumah 中的死亡观是基于伊斯兰观点的。伊斯兰教的死亡观以《古兰经》和圣训为基础,其中指出死后有生命,即来世。通过 Hikayat Raja Jumjumah 中的迹象,死后 "生命 "的含义是死亡事件、坟墓、地狱的折磨和悔恨。这一解释的结果是揭示 Hikayat Raja Jumjumah 中死亡现象的基础。Hikayat Raja Jumjumah 中可以揭示的死亡现象有(a) 与死亡相关的死亡事件中的死亡现象,即 "苏勒-卡提玛"(suul khatimah);(b) 坟墓中的死亡现象,即坟墓的折磨;(c) 地狱折磨中的死亡现象,即那些在世界上犯下罪孽的人将在地狱中受到非常可怕的惩罚。关键词:现象;拉贾-朱姆朱玛传奇;生命;死亡;剧本
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