“Poetry is Subversion”: Writers and Revolution at La Pájara Pinta, El Salvador, 1966–1975

Abstract

Thousands of soldiers swept onto the campus of the University of El Salvador with tanks and planes, ransacking buildings and arresting more than eight hundred students, professors, and staff. It was July 19, 1972, and the university had “fallen into the hands of the Communist Party of El Salvador and a minuscule group of opportunists of the most disgraceful immorality,” said the recently inaugurated president Army Colonel Arturo Armando Molina.1 Troops handcuffed the rector, Fabio Castillo, and the dean of the medical school and sent them into exile in Nicaragua.2 Early in the invasion, the troops sealed off and occupied the university's printing press, where workers produced a magazine of arts and politics called La Pájara Pinta that essayist Italo López Vallecillos and novelist Manlio Argueta had founded in 1966, and of which Argueta was still the editor.3 The campus occupation lasted two years and proved a milestone in El Salvador's long march to civil war. The closing of La Pájara Pinta that day silenced the most important forum for Salvadoran dissident writers and marked, for many of them, the end of their literary careers and the start of their lives as fugitives and, eventually, guerrillas.