Thick as Thieves: Mothers, Gypsies, & Criminals in Enola Holmes’ Victorian England

Manisha Basu
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Abstract

In her 2006 Young Adult novel, The Case of the Missing Marquess, Nancy Springer narrativises Enola Holmes as Sherlock Holmes’ intrepid and extraordinarily intelligent sister, a young woman with the ability to challenge even that great detective's iconic deductive abilities. I suggest that this overtly feminist impulse in rewriting the Victorian world of Conan Doyle is supplemented in Springer's novel with a nod toward the politics of intersectionality which attends to the ways in which gendered, class-based, and racialised identities become relational in an axiomatics of capitalist-colonialism. Particularly in conversation with Conan Doyle's 1892 short story, ‘The Adventure of the Speckled Band’, Springer's narrative takes a meta-critical neo-Victorian stance in encouraging its young audience to do three important things: first, mine the subtext of Conan Doyle's detective fiction for the broad anxieties it points to in imperial Victorian culture; second, probe the conditions of colonial commerce under which identities based in gender, race, and class differentials intersect with one another; and third, ask how to develop a decolonial praxis that in exposing such intersections, can avoid isolationist critical proclivities, and embrace instead a transnational and comparative sensibility of reading that is alive to at once specific and interrelated disempowerments.
贼心不死:伊诺拉-福尔摩斯笔下维多利亚时代英格兰的母亲、吉普赛人和罪犯
在南希-斯普林格 2006 年出版的青少年小说《失踪侯爵夫人案》中,她将伊诺拉-福尔摩斯塑造成夏洛克-福尔摩斯无畏而又异常聪明的妹妹,一个甚至有能力挑战这位大侦探标志性推理能力的年轻女性。我认为,斯普林格在重写柯南-道尔笔下的维多利亚时代世界时,除了这种明显的女性主义冲动之外,还对交叉性政治进行了补充,这种交叉性政治关注性别、阶级和种族身份在资本主义-殖民主义公理中的关系。特别是在与柯南-道尔 1892 年的短篇小说《斑纹乐队历险记》的对话中,斯普林格的叙事采取了新维多利亚式的元批判立场,鼓励年轻读者做三件重要的事情:第一,挖掘柯南-道尔侦探小说的潜台词,寻找其所指向的维多利亚帝国文化中的广泛焦虑;第二,探究殖民商业的条件,在这些条件下,基于性别、种族和阶级差异的身份相互交错;第三,询问如何发展一种非殖民主义实践,在揭露这种交错时,避免孤立主义的批判倾向,转而接受一种跨国和比较的阅读感性,这种阅读感性对具体和相互关联的失权具有活力。
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