Social capital and the intergenerational transmission of cultural capital: How parents’ social networks influence children's accumulation of cultural capital

IF 2 2区 社会学 0 LITERATURE
Andreas Roaldsnes
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引用次数: 0

Abstract

How does families’ social networks influence the transmission of cultural capital to their children? Earlier research on this process has mainly focused on within-family mechanisms, and the role of social capital as conceptualized by Pierre Bourdieu has here received little attention. This article explores this question through a study of parents’ social ties and parents’ and children's cultural, leisurely, and athletic practices, using Geometric Data Analysis and regression analysis of data on children (N = 4754) and their parents in the city of Bergen, Norway. The analysis finds that parents with social ties to higher status occupations have children that are more often exposed to traditional legitimate forms of culture, also when other familial resources are controlled for. When ties composition is heterogeneous, composed of both working class and elite ties, elite ties shape cultural consumption. The study finds evidence of Bourdieu's multiplier hypothesis, that returns from other capitals is multiplied by social capital, also that high volumes of social capital can compensate somewhat for having no cultural capital. Within-family characteristics are key to understanding the intergenerational transmission of cultural capital, but significant support for this process may be found in parents’ social networks.

社会资本与文化资本的代际传承:父母的社交网络如何影响子女的文化资本积累
家庭的社会网络如何影响文化资本向子女的传承?早期对这一过程的研究主要集中在家庭内部机制上,而皮埃尔-布迪厄(Pierre Bourdieu)所构想的社会资本的作用在此很少受到关注。本文通过对挪威卑尔根市儿童(N = 4754)及其父母的数据进行几何数据分析和回归分析,研究了父母的社会关系以及父母和子女的文化、休闲和运动实践,从而探讨了这一问题。分析发现,与地位较高的职业有社会关系的父母,其子女更常接触传统的合法文化形式,这一点在控制了其他家庭资源的情况下也是如此。当纽带构成是异质的,既包括工人阶级纽带,也包括精英纽带时,精英纽带会影响文化消费。研究发现了布迪厄乘数假设的证据,即其他资本的回报与社会资本相乘,同时大量的社会资本可以在一定程度上弥补没有文化资本的缺陷。家庭内部特征是理解文化资本代际传承的关键,但父母的社会网络可能对这一过程提供重要支持。
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来源期刊
Poetics
Poetics Multiple-
CiteScore
4.00
自引率
16.00%
发文量
77
期刊介绍: Poetics is an interdisciplinary journal of theoretical and empirical research on culture, the media and the arts. Particularly welcome are papers that make an original contribution to the major disciplines - sociology, psychology, media and communication studies, and economics - within which promising lines of research on culture, media and the arts have been developed.
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